The band’s back together. Alfred Molina plays Rothko for the third time in Michael Grandage’s revisiting of John Logan’s richly textured two-hander, first seen at the Donmar in 2009 and then bypassing the West End for Broadway.
This weekend sees the Brighton Festival 2018 kick off. Anyone visiting the city on Saturday 5 May would find this hard to miss as the famous Children’s Parade makes its way around the streets, a joyous dash of colour and creativity. This year’s theme, in honour of Brighton Festival guest director David Shrigley, is “Paintings”. Thus every school in the area has been assigned a famous painting on which to base their parade presentation. The results are guaranteed to be an eye-boggling public showcase.
After the success last year in taking the Festival to outlying areas of Brighton, Your Place returns in 2018. This means that, once again, local groups and committees in Hangleton and East Brighton have joined forces with the Festival - its artistic and theatrical resources and contacts - to put on a raft of events and activities in those areas. Much of this will be happening later in the month on the weekends of 19-20 May and 26-27 May.
Elsewhere its art a-go-go from the start with a free exhibition at the Phoenix Gallery from Californian painter Brett Goodroad, whose figurative abstract work is attuned to the subconscious, and David Shrigley’s Life Model II, a free interactive piece wherein visitors can contribute their own visions of his nine foot tall female sculpture.
Shrigley will also be putting on his own “alt-rock/pop pantomime”, Problem in Brighton, which will surely be worth a look, and giving a talk (“numerous rambling anecdotes but will not be in the slightest bit boring”) later in the festival (23 May).
Others involved in interviews and talks include novelists Rachel Cusk and Rose Tremain, local Green MP Caroline Lucas, London psychogeographer Iain Sinclair, children’s author Michael Rosen, and musicians Brett Anderson and Viv Albertine. In fact, this year’s Festival is particularly strong on contemporary music, with performances by Ezra Furman, The Last Poets, Deerhoof, Malcolm Middleton, Amanda Palmer, This Is The Kit, Joep Beving, Les Amazones D’Afrique, Jungle, Xylouris White and others.
All the above, of course, only skims the surface of Brighton Festival 2018’s hive of activity. There’s also a feast of theatre, circus, classical, children’s fare, dance and hosts more. It’s a very good time to hit the south coast.
Overleaf: Watch a 15-minute guide to BSL-interpreted, captioned and highly visual performances at Brighton Festival 2018
Back in the early Sixties Lucian Freud was living in Clarendon Crescent, a condemned row of houses in Paddington which were gradually being demolished around him. The neighbourhood was uncompromisingly working class and to his glee his neighbours included characters from the seamier side of the criminal world.
Painted in ice-cream shades punctuated with vivid red, the series of portraits made by Picasso in the early weeks of 1932 are as dreamy as love letters. His mistress Marie-Thérèse Walther – we assume it is she – lies adrift in post-coital languor, her body spread before us as a delicious and endlessly fascinating confection.
When I began studying art history, my Bible was Ernst Gombrich’s The Story of Art. The reproductions are mostly in black and white and, thumbing through my dusty old copy, I find a photograph of the Jesuit church in Rome, whose ceiling was transformed by the painter Giovanni Battista Gaulli into a glorious vista of the heavens teaming with cherubs, angels and saints.
In the dark days of January, white cube galleries are luminous spaces. This is especially true of Pi Artworks right now: the Fitzrovia gallery is showing an incandescent array of 23 paintings by Selma Parlour. Taken in at once and at first sight, her abstract works arrest the eye with unlikely chords of colour and angular planes that suggest competing vanishing points.
Three years ago Rose Wylie won the prestigious John Moore’s Painting Prize. She was 80 years old and had been painting away in relative obscurity for many decades. You might suppose, then, that the prize was given in recognition of past achievements – a reward for dogged perseverance.
Modigliani was an addict. Booze, fags, absinthe, hash, cocaine, women. He lived fast, died young, cherished an idea of what an artist should be and pursued it to his death. His nickname, Modi, played on the idea of the artiste maudit – the figure of the artist as wretched, damned.
Finland is celebrating its centenary this year and the National Gallery's exhibition of four paintings by Akseli Gallen-Kalela (1865-1931) of a very large lake in central Finland is a beguiling glimpse of the passion its inhabitants attach to its scenic beauty, in winter darkness and here, summer night. Finland possesses almost 190,000 lakes, depending on your definition.
Yesterday the record for the most expensive painting ever sold was broken. At Christie's in New York Leonardo da Vinci's Salvator Mundi the hammer was knocked down on a price of $450 million. It's a lot of money, period, and even more for a painting which some doubt is by Leonardo at all. One doubter insists that Leonardo the great scientist would have refracted the light through the orb in Christ's hands. That won't bother the buyer, whose identity is unknown.
Salvator Mundi soars to the top of the list of the 75 most expensive paintings sold in the last 30 years. The recent Leonardo discovery was already on the list at no 19, having sold for $131.1 million in 2012. It now soars high above Willem De Kooning's Interchange ($300 million, sold 2015). Salvator Mundi is also the earliest work in the list. The newest is Jean-Michel Basquiat's Untitled, painted in 1982 ($110.5 million, 2017).
This list is based on prices at current values calculated by Wikipedia. It strays back three decades to the purchase of two Van Goghs. The big market surge came in 1989 when the record for an old master – Pontormo's Portrait of a Halberdier – was sold to the Getty Museum for what is now $68 million. The 1990s was a fallow decade in which only two painters could command high prices: Van Gogh (four entries) and Picasso (two). In 2006 the market suddenly rose for post-war work by De Kooning, Johns and Pollock. That year three paintings were sold for the equivalent of more than $160 million.
While paintings continued to go for eye-watering sums, the record held until 2011 when Cézanne’s The Card Players was sold for $259 million. The market has been at its most obscenely inflated in recent years. Seven of the top 75 sales happened in 2012, five in 2013, six in 2014, nine in 2015, five in 2016, and two this year (the other entry for 2017 is Roy Lichtenstein's Masterpiece.) The overwhelming majority of these works ended up in private hands.
The artists with the most entries hold few surprises. Picasso: 13. Van Gogh: eight. Warhol: seven. Rothko: six. De Kooning: four. Cézanne, Modigliani, Titian, Bacon: three. Johns, Monet, Lichtenstein, Klimt, Pollock, Newman: two.
Below is the list of the top, while the gallery overleaf shows some of the top 75, leading towards the most expensive in history.
Overleaf: browse a gallery of the world's most expensive paintings