William Boyd’s fiction is populated by all manner of artists. Writers, painters, photographers, musicians and film-makers, drawn from real life or entirely fictional, are regular patrons of his stories. Boyd’s latest novel, Trio, is no different.
Roughly two years since “the posh mums are boxing in the square” scooped first place in the 2018 National Poetry Competition, Wayne Holloway-Smith returns with Love Minus Love, his second full-length collection.
What stands between Beirut and the moon? Between Lebanon’s capital and the limitless possibility beyond? It is a question as complex and immense as the nation itself. In the wake of the devastating explosion on 4 August, as well as longstanding government corruption and an unprecedented economic crash, it feels, now more than ever, as though the answer is: everything.
Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and sculptures of young girls clad in the uniform of the dance are signs of an artistic obsession that spanned a remarkable artistic career. One work in particular – a sculpture of a young ballet dancer in a rest position – cemented his reputation as a pioneering spirit, unafraid of provoking controversy in the pursuit of perfection.
Picture an antiquarian book dealer. Typically, it’s all Harris Tweed, horn-rimmed specs, and a slight disdain for actual customers. At the beginning of D.W.
Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false.
Keiichiro Hirano’s A Man has all the trappings of a gripping detective story: a bereaved wife, a dead man whose name belongs to someone else, mysterious coded letters, a lawyer intent on uncovering the truth.
A small-time heroin dealer harbours idealistic dreams of building a hospital “to help da limmless in Peshawar and Kabul”. This is the premise of The Book of Naseeb, the debut novel from Khaled Nurul Hakim.
Sally Rooney’s 2018 novel, which was long-listed for the Man Booker Prize, was a psychologically rich, emotive journey into the psyches of two Irish teenagers who fall in love. Only two years on from publication, it has been turned into a 12-part series from the BBC and Hulu.
Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct. But Bryony Lavery’s winning 2014 adaptation of Robert Louis Stevenson for the National, directed by Polly Findlay, also features key updates and wonderfully creative ideas, plus a good blend of horror and humour.