Theatre for children can often be dismissed – a box to tick for parents who want to keep up with cultural practices; a job for actors who haven't quite made it in the mainstream; theatre that mums and dads want to see that works for their little ones, too.

Home ★★★★   

The Edinburgh International Festival scored quite a coup in securing the services of Bernstein protégée Marin Alsop and the Baltimore Symphony Orchestra on the very day of the great composer/conductor’s centenary – and for the festival’s penultimate concert of 2018.

There were two immediate casualties at Pierre-Laurent Aimard’s high-energy account of Messiaen’s monumental Des canyons aux étoiles… with the Scottish Chamber Orchestra at the Edinburgh International Festival.

La maladie de la mort ★★★  

Toxic masculinity in all its appalling variety is a hot topic across Edinburgh’s festivals this year – just check out Daughter at CanadaHub and even Ulster American at the Traverse for two particularly fine and shocking examinations.

North of Brisbane, south of Cairns and a short boat trip from the turquoise waters around the Great Barrier Reef, Townsville is the site of a north-east Australian military base. Despite its dry-tropical beachside glories, it’s not necessarily the most obvious setting for a world-class chamber music festival.

Orpheus ★★★★  

It was Simon Rattle’s first visit to the Edinburgh International Festival for – well, really quite a few years. And the first of his two concerts with the London Symphony Orchestra drew, perhaps predictably, a capacity crowd in the Usher Hall, for what was in fact quite an odd, uncompromising programme – if one that ultimately delivered magnificently.

Underground Railroad Game ★★★★★ 

Coriolanus Vanishes ★★★★