From Floor to Sky: British Sculpture and the Studio Experience, Ambika P3

Foreground: Clone Installation (1980-1982) by Keith Brown. Background film: Communion (2010) by Nina Danino

A dynamic moment in British art revisited

From Floor to Sky looks at a relatively little known, but pivotal, moment in the development of British sculpture: the period in the late 1960s and early 1970s when tutors and students at St Martin's School of Art and the Royal College worked together in challenging traditional attitudes to the medium. New ways of teaching and thinking about sculpture were evolved, and new materials such as fibreglass and plastic introduced. This exhibition focuses on the students of one particular tutor, Peter Kardia, whose radical teaching methods brought politics, theory, perception and perspex into the studio.

Art Gallery: Henry Moore's Reclining Figures

Exquisite images from the Tate Britain show

Henry Moore is said to have first encountered the image of the reclining figure in Paris in 1925 in a plaster cast of an ancient Mexican Toltec-Maya figure in the Trocadero Museum. It was to become probably his most frequently explored theme, revisited hundreds of times over the following 60 years before his death in 1986. From the relatively realistic to the almost totally abstract, Moore’s reclining figures can be seen in galleries and public spaces all over the world.

Art 2010: Looking Ahead

Van Gogh's 'Hospital at Saint Rémy', 1889: 'the first major Van Gogh exhibition in London for 40 years could break all attendance records'

A world-beating array of exhibitions for next year

2010 begins with a worldbeating blockbuster capable of breaking all attendance records – and it ends with another. It’s more than 40 years since Britain saw a major exhibition of the work of Vincent van Gogh; 40 years in which the tormented Dutch genius has gone from being merely an extremely famous and influential painter to, by common consent, the world’s favourite artist, the man who sacrificed himself for his art, whose light-filled canvases tell us most about what we think art should be – never mind that many of them are of dark, rain-drenched Dutch fields.

theartsdesk Q&A: Artist Anish Kapoor

On spiritualism, nationality, psychoanalysis and the fourth plinth

The sculptor Anish Kapoor (b. 1954), RA, CBE, won the Turner Prize in 1990. His public works are characterised by their gigantic scale and ambition. In the UK he is probably best known for Marsyas (2002), the viscerally red “ear trumpet” that elegantly spanned the entire length of the Turbine Hall in Tate Modern. He is also the artist behind the world’s most expensive public sculpture. Cloud Gate (picture below), completed in 2006, is a beguiling polished steel ellipsis located in Chicago’s AT&T Plaza.

London's Robert Redford

... and London's answer to the Sundance Film Festival

Last night I was drinking cappuccino with Britain's answer to Robert Redford in a Soho coffee bar. Elliot Grove and I go back a long way: we first met in 1993 when Grove launched Raindance, London's version of Sundance, the premier American independent film festival founded by Redford. Since then Sundance has increasingly been attacked for selling out to Hollywood. By contrast Raindance, now in its 17th year, is still going strong and retains an air of authentic independence.
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