sun 23/01/2022

Sarah Kent

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Bio
Sarah was the visual arts editor art of Time Out, the ICA’s Director of Exhibitions, has served on Turner Prize and other juries, and has written catalogues for the Hayward, ICA, Saatchi Gallery, White Cube and Haunch of Venison and books such as Shark-Infested Waters: The Saatchi Collection of British Art in the 90s.

Articles By Sarah Kent

Under the Wire review - risking everything to tell the world the truth

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The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new era

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Formosa, Cloud Gate Dance Theatre of Taiwan, Sadler’s Wells review - perfect in every detail

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Shape of Light, Tate Modern review - a wasted opportunity

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Leaving Home, Coming Home: A Portrait of Robert Frank review - the artist puts himself in the frame

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Taryn Simon: An Occupation of Loss, Islington Green review - divine lamentation

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Sutra, Sadler’s Wells review – a masterpiece 10 years on

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Joan Jonas, Tate Modern review - work as elusive as it is beautiful

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Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine art

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Another Kind of Life, Barbican review - intense encounters with marginal lives

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Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installations

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Come to Dust: Glenn Brown, Gagosian Gallery review - seductive and disturbing

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Human Flow review - two hours of human misery

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Imagine... Rachel Whiteread: Ghosts in the Room, BBC Two review - making memories solid

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Rose Wylie: Quack Quack, Serpentine Gallery - anarchy at 83

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The Machines of Steven Pippin, The Edge, University of Bath review - technology as poetry

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Forty years on from its beginnings as part of New York's gay lib...

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As writer and director, Hugo Blick has brought us...

Like a baton out of hell: Conductors at the 2018 Proms

Discreetly poking his camera through one of the red curtains around the Albert Hall, chief Proms...

Holy Shit, Kiln Theatre review - what's in a name?

Holy shit! After being closed for two long years, the old and battered...

DVD/Blu-ray: The Producers

Few things divide opinion as much as comedy, and we’ve all...

Unexpected Joy, Southwark Playhouse review - fully predictab...

There's a clear theme running through this year's autumn programme at the ...

'I saw that death is beautiful, unspeakable and strange...

Most of us have very little knowledge of the process of life ending, physically and emotionally, until it comes suddenly into our own experience....