RPS Awards audience thumbs nose at new Government

Thatcher with an axe
The announcement by the Royal Philharmonic Society's keynote speaker Grayson Perry that the Queen had sent for David Cameron last night was met with audible groans from the great and the good of the classical music world at their Awards ceremony. Speaker after speaker made it perfectly clear that the Lib Dems (though almost certainly not the economically liberal, pro-nuclear, immigration-capping, Tory-serving Lib Dems that they have now woken up to) were the choice of the majority here and one after the other they pleaded that the Government ring-fence arts funding.
None of this is particularly surprising. The left-wing bias in the arts is no secret. And it wouldn't be the only sector campaigning to fend off budget cuts. But is all this begging and moaning and visceral anti-Conservatism right, helpful or grown-up? Cutting state funding of the arts is not the end of the world. Indeed, there is an argument that says that the arts thrive best on less. Look at America. Is it any wonder that some (if not most) of the greatest art, music and theatre of the past 50 years did not take place under the sclerotic system of state patronage in Europe but in the lithe, capitalist market of America?
The classical music industry needs to accept that cuts will come. They need to start thinking about how to slim down, or shall we say focus, their operations. Education? Outreach? Conductors' salaries? Are we perhaps producing too many musicians? If they don't, Cameron will just start slashing, willy-nilly, Freddy Krueger-style, and they'll have themselves to blame.
Oh, and here are the winners:
  • Award for Audience Development: the Philharmonia Orchestra's re-rite
  • Singer: Philip Langridge (the award was delivered to him in hospital two days before he died)
  • Young Artist: counter-tenor Iestyn Davies
  • Instrumentalist: pianist Stephen Hough
  • Conductor: Oliver Knussen
  • Opera and Music Theatre: the BBC Symphony Orchestra's performance of Martinů’s Juliette
  • Education: English Touring Opera with Hall for Cornwall’s One Day, Two Dawns
  • Chamber Music Celebrations, and Song: the Wigmore Hall’s Haydn Bicentenary Season Celebrations
  • Concert Series and Festivals: Huddersfield Contemporary Music Festival
  • Ensemble: London Sinfonietta
  • Large-Scale Composition: Kaija Saariaho's Notes on Light
  • Chamber-Scale Composition: Kevin Volans's viola: piano

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more classical music

Beautiful singing at the heart of an imaginative and stylistically varied concert
Characteristic joy and enlightenment from this team, but a valveless horn brings problems
From a snowbound contemporary classic to Mahler's folk-tale heaven
Baroque sonatas, English orchestral music and an emotionally-charged vocal recital
A pair of striking contemporary pieces alongside two old favourites
Star of the console takes us on a cosmic dance , while Elgar brings us back to earth
From revelatory Bach played with astounding maturity by a 22 year old to four-hand jazz
Five days of free events with all sorts of audiences around Manchester starts tomorrow
Unusual combination of horn, strings and electronics makes for some intriguing listening
Classical music makes its debut at London's K-Music Festival
Season opener brings lyrical beauty, crisp confidence and a proper Romantic wallow
Celebration of the past with stars of the future at the Royal Northern College