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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.It followed some hectic and…
With WOMAD not happening this year, where could one go for a feast of global sounds? Fes in Morocco has been presenting its sacred music…
No-one needs to be living in Trump’s USA to be aware that governments never feel that it’s in their interest to prioritise great art and…
While the Gallagher brothers scrabble around in the dirt for their rich pickings, an altogether more dignified experience is on offer from…
“Do you know the name of the propaganda minister of England, or America, or even Stalin? No. But Joseph Goebbels? Everyone knows him.” The…
Turnstile’s NEVER ENOUGH is a vibrant, shape-shifting album that proves the Baltimore-based band is fully committed to evolution. Since…
Fiddler on the Roof, Barbican review - lean, muscular delivery ensures that every emotion rings true
It’s always a risk when a production changes venue. In the curious alchemy of live performance, no-one can be sure whether a shift in…
Terence Rattigan's rehabilitation – some might almost say deification – as a leading 20th century playwright is complete. As well as…
Little Simz clearly believes in meeting situations head on. Her sixth full-length album kicks off, in every sense of the phrase, with “…
In 2012, the award-winning American writer Sarah Ruhl met a Yale playwriting student who became a special part of her life. Out of their…