The Seckerson Tapes: Ian Bostridge

The tenor on Britten 100 and the long legacy of Peter Pears

share this article

It comes as no surprise that international tenor Ian Bostridge plays a significant part in EMI and Virgin Classics‘ contribution to Britten 100. In this exclusive audio podcast he discusses the man, the music, the insecurities, the contradictions, the isolation that came with being a pacifist in time of war and a homosexual in a time of illegality.

Bostridge talks from first hand of Britten’s extraordinary gifts as a word-setter - a composer of songs and operas that define his special gifts and, of course, his inspirational union with Peter Pears, his muse, his, partner, his rock. Bostridge also analyses the Pears legacy and how it has impacted on generations of tenors in this repertoire and how those operas and the characters he wrote specifically for Pears were essentially about aspects of himself.

EMI and Virgin Classics are putting together a collection of new releases to celebrate Britten 100 and three brand new recordings feature Bostridge himself, which he introduces here: an album of Britten Songs with Antonio Pappano including “Winter Words” and the “Michelangelo Sonnets”; a new War Requiem from Pappano’s Santa Cecilia forces in Rome; and a live Rape of Lucretia from the Aldeburgh Festival 2011 conducted by Oliver Knussen.

This text will be replaced

 

If you would prefer to download and listen offline, please download

Comments

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Bostridge talks from first hand of Britten’s extraordinary gifts as a word-setter

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more classical music

Accordion virtuoso’s brilliant arrangements showcase the possibilities of the instrument
Ancient Scottish musical traditions explored through the lens of today, and a short teaser for some of opera's greatest moments
Szymanowski’s fantasy more vague than Berlioz’s, but both light up the hall
Another breath of fresh air in the chamber orchestra’s approach to the classics
Julia Perry well worth her place alongside Stravinsky and Bartók
German art songs, French piano concertos and entertaining contemporary music
Panache but little inner serenity in a risky three-part marathon
The Jordanian pianist presents a magic carpet of dizzyingly contrasting styles
Early music group passes a milestone still at the top of its game
Craftsmanship and appeal in this 'Concerto for Orchestra' - and game-playing with genre
Fresh takes on Janáček's 'Jenůfa' and Bizet's 'Carmen' are on the menu
Swiss contemporary music, plus two cello albums and a versatile clarinettist remembered