We Made It: Concert hall acoustics

The RSNO have a new concert hall. The lead acoustician explains why it sounds so good

Glasgow has a brand new concert hall, and the Royal Scottish National Orchestra has a brand new home. A move for the Orchestra from Henry Wood Hall, a converted church in the city’s West End it has occupied since 1979, has been on the cards for several years, but few could have predicted the scale and intricacy of the final project. The New RSNO Centre snuggles conveniently right next to the Glasgow Royal Concert Hall, and brings new offices, an education suite, a digital centre and practice rooms right to the city centre. The project’s centrepiece, however, is the RSNO Centre’s auditorium, designed primarily as a rehearsal space for the RSNO, but also intended to function as a performance and recording venue. Engineering firm Arup have a long track record of putting acoustic excellence at the centre of venue design, and they were intimately involved in the RSNO project.

Lead acoustician Philip Wright explains the process of designing the RSNO’s acoustically efficient new auditorium, and just how he achieves the acoustic effects he desires. Read the full interview on the site of our partner Bruichladdich.

Read other articles in We Made It, our series on craft in partnership with Bruichladdich

 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Engineering firm Arup have a long track record of putting acoustic excellence at the centre of venue design

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more classical music

Beautiful singing at the heart of an imaginative and stylistically varied concert
Characteristic joy and enlightenment from this team, but a valveless horn brings problems
From a snowbound contemporary classic to Mahler's folk-tale heaven
Baroque sonatas, English orchestral music and an emotionally-charged vocal recital
A pair of striking contemporary pieces alongside two old favourites
Star of the console takes us on a cosmic dance , while Elgar brings us back to earth
From revelatory Bach played with astounding maturity by a 22 year old to four-hand jazz
Five days of free events with all sorts of audiences around Manchester starts tomorrow
Unusual combination of horn, strings and electronics makes for some intriguing listening
Classical music makes its debut at London's K-Music Festival
Season opener brings lyrical beauty, crisp confidence and a proper Romantic wallow
Celebration of the past with stars of the future at the Royal Northern College