Jazz Emu bounds on to the stage, launching into a song that talks about the importance of team work and how he has no ego. But strangely enough, Knight Fever is all about him, a Jarvis Cocker-esque synthpop charmer.

He tells us we are gathered not in the basement room of the Soho Theatre, but in an underground storage room of the Royal Albert Hall, where he will later perform at a royal variety show. The only star allowed to rehearse on the actual stage is his nemesis, the “pure evil” Kelly Clarkson.

Five years ago, Rachel Parris tells us, she never thought she would one day be married, a mother and a home owner. Now she's all three – and a stepmother as well – and this year is about to turn 40. It's quite a journey, which she talks about in her new show, Poise.

Ten years after their last tour Steve Punt and Hugh Dennis are back on the road with We Are Not a Robot. It comes after their long-running The Now Show on Radio 4 has ended and, reassuringly for their fans, is more of the same affable humour, with the occasional barb that they can throw in now they no longer have to answer to BBC producers.

The most striking thing about the 1976 documentary (restored and re-released by the BFI) is just how polite Billy Connolly comes across as. Not that he's impolite now, but the raucous stage presence and vibrant chatshow interviewee was yet to fully form.

Clinton Baptiste – clairvoyant, medium and psychic – first appeared briefly as a character in Peter Kay’s Phoenix Nights on Channel 4. Alex Lowe has since developed him through Clinton Baptiste’s Paranormal Podcast and his live shows, and now he's touring his latest, Roller Ghoster!, which I saw at Leicester Square Theatre in London.

For fans of a certain age the name Jack Docherty will always be associated with a very good run of chat shows on Channel 5; he was also the star of Channel 4's sketch show Absolutely and more recently the Scottish comedy Scot Squad. And now he's on the road with David Bowie & Me – Parallel Lives, a sort of memorial to lost youth but also the life-affirming joy of music.

Rhod Gilbert is disarmingly honest about his thought process when he received his diagnosis of head and neck cancer in 2022. Following quickly from his fears about his possible imminent death, another thought flashed through his mind: “I can get a show out of this.” And it is that trademark cheeky humour that runs through his latest show, Rhod Gilbert and the Giant Grapefruit, which begins with an affirmative “I'm alive!”

An appearance on Taskmaster and the publication of her acclaimed memoir Strong Female Character have helped propel Fern Brady into the comedy big time – and now comes the accolade of her first Netflix special, Autistic Bikini Queen, which was recorded in Bristol last year.

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto, because it is 70 minutes of political invective, taking aim at a rogues' gallery of senior Conservatives present and past. Oh, and the royal family get it in the neck too.

Lockdown feels more like a dream now: empty streets; bright, scarless skies; pan-banging at 8pm. Did it all happen? One part of our brains insists that it did; another resists such an overthrowing of what it means to be human. Try recalling events of 2019, 2020 and 2021, and you’ll find them hazy, ill-defined and you reach for a phrase I say more often than I ought, “I don’t know whether it was before or after the pandemic…”