Nijinsky on YouTube

Film of the famous dancer - real or fake?

Fleeting snippets of Vaslav Nijinsky apparently dancing on primitive film do, astonishingly, seem to capture his legendary liquidity of movement and capacity for making stillness arresting. But are they real?

Here he is in 1910, dancing the Golden Slave in Sheherazade:



Several sequences from his L'après-midi d'un faune, 1912, top and below:





What is the chatter heard on the first film? Is it the voices of Diaghilev and his colleagues while the sequence is being filmed?

In fact, the films are computer-generated by a digital artist using remarkably convincing techniques not very different from those employed by reconstructors of historic choreography.

Read http://boingboing.net/2009/06/25/mysterious-youtube-v.html to discover more.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more dance

Much-appreciated words of commendation from readers and the cultural community
ENB set the bar high with this mixed bill, but they meet its challenges thrillingly
Christopher Wheeldon's version looks great but is too muddling to connect with fully
A riotous blend of urban dance music, hip hop and contemporary circus
Michael Keegan-Dolan's unique hybrid of physical theatre and comic monologue
Ed Watson and Jonathan Goddard are extraordinary in Jonathan Watkins' dance theatre adaptation of Isherwood's novel
First visit by Miyako Yoshida's company leaves you wanting more
The brilliant cast need a tighter score and a stronger narrative
The after-hours lives of the sad and lonely are drawn with compassion, originality and skill
The title says it: as dancemaker, as creative magnet, the man clearly works his socks off
Once again the veteran choreographer and maverick William Forsythe raises ENB's game