Iain Sinclair is a writer, film-maker, and psychogeographer extraordinaire. He began his career in the poetic avant-garde of the Sixties and Seventies, alongisde the likes of Ed Dorn and J. H. Prynne, but his work resists easy categorisation at every turn. Reality shudders against and into its incarnation as fiction; documentary is riddled with the imagination’s brilliant glare; genre-bounds are ruinously questioned. Poetry, biography, film, essay: each form ghosts the next in restless disarray.

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge and mingle together to tell tales of a rain-speckled landscape, luck and misfortune, forgotten valour, daily creative rituals and memories slowly vanishing into flames.

Everyone needs friends and everything is connected. As we throw the doors open on to the 2024 Leeds Lieder Festival I am struck by just how remarkable classical music can be for a community, particularly when it is looked after and invested in by its own community.

In September 2022 I had an email from my American friend Richard Nelson: "Would you like me to write you a play?" Such an offer probably comes the way of very few actors and I was bowled over by it. My astonished and grateful response was tempered with a little uncertainty.

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead to our play Gunter [seen first in Edinburgh and transferring 3-25 April to the Royal Court].

I’m writing this in the lobby of the Menier Chocolate Factory a couple of hours before the first preview. I was last here in February for the start of rehearsals. In the time since, I’ve made a handful of, one hopes, helpful adjustments to the script. I’ll let audiences be the judge of that.

The British folk artist and singer songwriter Olivia Chaney released her third solo album this week, as we break out into springtime, and she’ll be touring sporadically around the UK over the next few months, with a showcase at London’s Union Chapel in June.

A single pair of swans glided serenely under the bridges of the river Ill as I walked to the premiere of the Opéra National du Rhin’s new production of Lohengrin in Strasbourg on Sunday.

At the time of writing, rehearsals are well under way for the London Handel Festival 2024. It’s a big year for me as it’s my 25th and final year as Musical Director.