DVD: Anomalisa

Charlie Kaufman's remarkable animation sheds fresh light on the male midlife crisis

The midlife crisis, the one-night stand in another city, the younger woman and the honeyed words that turn to dust – they happen all the time, in life and therefore in stories. In Anomalisa they are seen miraculously afresh thanks to Charlie Kaufman, that tireless cinematic frontiersman, and his co-director, animator Duke Johnson.

The novelty of Anomalisa is that stop-motion figurines play out the life of Michael Stone, an inspirational self-help guru who can inspire everyone but himself. As he lands in Cincinnati to give a talk, his marriage has turned to dust, he is tempted by the siren lure of an old relationship he abandoned, and one of the delegates down the corridor of his faceless five-star hotel, a shy woman drained of confidence, is all set to be the next victim of his paralysing inability to build a lasting connection.

Her name is Lisa, but because she counts herself an anomaly, he renames her Anomalisa. Both are movingly voiced – by David Thewlis, his northern English accent introducing an extra level of alienation, and Jennifer Jason Leigh – but a typically Kaufmanesque touch is to have almost all the other characters, male or female, spoken by one actor: the voice of the rest of the world to the weary solipsist.

The counterintuitive masterstroke of Anomalisa is to bring what might seem a tired story to life by replacing actors with animations. As is explained in the underwhelming extras, the task of creating the world of the film on an independent budget was considerable. This DVD release is worth the price of purchase for the film itself, a rare animation aimed, as Kaufman explains, entirely at adults. The sight of Stone towelling himself down in the shower, and going down on Lisa, is not one that can be found among Best Animation contenders at this year's Academy Awards, nor any other.

Read more film reviews on theartsdesk

Overleaf: watch the trailer to Anomalisa

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
A typically Kaufmanesque touch is to have almost all the other characters, male or female, spoken by one actor

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films