DVD: The Blob

Surprisingly tense monster-from-space film which marked Steve McQueen’s lead debut

Retrospectively, two things help The Blob stand apart from the glut of late-Fifties aliens-invade-small-town-America science fiction films. It gave Steve McQueen his first starring role and its theme tune was an early Burt Bacharach co-write. Either of these – or even both together – are probably not enough to make the 1958 regional independent production into a classic piece of American cinema. But it is pretty good.

Somewhere in Pennsylvania a courting couple – the male half of which is McQueen, playing “Steve” – are smooching in an open-top car. Coming back from their close encounter they find an old-timer. He’s been messing with a meteorite and has something which looks like a blister on his hand. They take him to the local doctor. The Blob has claimed its first victim. “I don’t know what it is or where it came from,” says the doctor of the affliction. In time, the alien invader grows and grows, claiming more and more victims. It is defeated by something as banal and day-to-day as the monster’s cheap realisation – the special effects budget must have been tiny.

Despite the jaunty theme, caricature juvenile delinquents, a knock-off of the Rebel Without a Cause car race, clunky dialogue and wooden acting, including McQueen, looking the ten years older he was than the teenage character he played – The Blob (initially titled The Molten Meteor) actually acquits itself well. The tone is surprisingly serious and the tension is racked up. It isn't camp and, in common with many other films of this nature, is easily interpreted as a reflection of America’s reds-under-the-bed fixation. Director Irvin Yeaworth was a Pennsylvania-based German émigré behind other exploitation films (The Flaming Teen-age and Dinosaurus! among them) who also designed a theme park, made educational films and worked in radio. In a well-funded, Hollywood setting, he could easily have made even more striking films. The night work in the film is impressive and atmospheric. It's more spontaneous than the knowingly stilted 1988 remake

This is the first UK appearance on Blu-ray. The package includes photo galleries and the trailer. Approach with a straight face and The Blob won’t disappoint.

Overleaf: Watch the trailer for The Blob

Watch the trailer for The Blob

 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
'The Blob' is easily interpreted as a reflection of America’s reds-under-the-bed fixation

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films