DVD: Bridesmaids

A wedding is put in jeopardy by the antics of a flock of hysterical hens

Like a fist to the face of the traditionally insipid, female-fronted rom-com, Bridesmaids marks a departure from the oft-derided norm, not by being brassy or crude (OK, there might be a sizeable helping of the latter) but because of its authentic humour, credible character dynamics and the foregrounding of female friendships over romance. It is also wildly funny.

Kristen Wiig (who co-wrote the film with Annie Mumolo, who appears as “Nervous Woman on Plane”) is Annie, a thirtysomething singleton asked by her childhood chum Lillian (Maya Rudolph) to be her maid of honour. Despite her outstanding intentions, Annie is a calamity magnet and spends the lead-up to the nuptials undergoing a spectacular meltdown. Seldom does a film have its audience in stitches within seconds but Bridesmaids starts as it means to go on, with Wiig tangling awkwardly with buffoonish “fuck buddy” Jon Hamm. With this farcical but - let’s be honest – recognisable sex scene, it has us from “Hello”.

Tellingly, the groom isn’t even given a line

This part-improvised comedy, directed by TV comedy helmsman Paul Feig (Arrested Development, Nurse Jackie), is frank without being aggressive or obnoxious and each fresh humiliation only encourages us to love its characters more. The plane sequence is a particular hoot and real-life pals Wiig and Rudolph employ their off-screen repartee to charming effect. In addition, there are stand-out turns from fellow bridesmaids Rose Byrne (as Annie’s irritatingly beautiful and dastardly rival) and Melissa McCarthy as the macho but soft-hearted Megan. Tellingly, the groom isn’t even given a line.

Bridesmaids isn’t without its own missteps: it’s about 20 minutes too long, the final third drags a little and it could do without the baking montage for a start. Despite this, don’t be surprised if, come Oscar time, it squeezes its way into the race. The delightful Wiig, at the very least, deserves the recognition.

Bountiful extras include a riotous but overpopulated commentary and an unrated version of the film that features one sadly excised scene in particular where Annie faces-off against a terrifically creepy child.

 Watch the trailer for Bridesmaids

 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Seldom does a film have its audience in stitches within seconds

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films