DVD: The Group

Sex in the Thirties city for female college friends, in a neglected Sidney Lumet gem

Mary McCarthy’s 1963 novel The Group inspired Candace Bushnell to write Sex and the City, a connection highlighted on this DVD of Sidney Lumet’s 1966 adaptation. Only the breezy style of the newsletter which keeps eight female friends from Vassar’s Class of ‘33 in touch bears real comparison. This is a broader saga about women’s experiences and ambitions in the years up to World War Two. It’s also an unexpected entry in Lumet’s great series of New York films, as these Manhattan wives, daughters, doctors and socialites grip as strongly as his more familiar male cops and lawyers, moving to the centre of stories which usually sideline them. By turns bleakly realistic and sharply satiric, its two and a half hours whip by.

The way prim, pretty Dottie (Joan Hackett, pictured below) quietens and stills as she offers her virginity to Richard Mulligan’s blunt bohemian is one of many small, perfect moments from a fine, now half-forgotten female cast. The blood-smeared hand she inspects in the bathroom afterwards joins contraception, spousal violence, lesbianism and the rigours of flat-chested breast-feeding amongst the frankly handled feminine themes.

Thirties fashion and interior design is precise, but Boris Kaufman’s elegantly roaming camera and equally sharp script and editing make this feel like a contemporary film about women alive in their time, set in neither 1936 nor 1966 aspic. War clouds are looming, and concerned types such as Hal Holbrook’s literary editor put their faith in Communism and the psychiatrist’s couch. Larry Hagman’s alcoholic louse of a husband and the fierce delusion of Kay (Joanna Pettet) that their marriage must succeed is, though, a timeless tragedy.

Lumet’s close attention to his actresses’ vividly truthful faces is its own reward. This is a bare-bones, extras-free release, but a valuable one.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
This feels like a contemporary film about women alive in their time

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films