DVD: Incendies

Masterful, multifaceted drama that affects on many levels

Watching Incendies leaves you winded. Although it can be read as a thriller, Incendies is a drama that offers no hints of where it’s going. When it gets there, it hits hard. It’s about more than Middle East conflict, more than a search for identity. As director Denis Villeneuve puts it in one of this DVD’s extras, Incendies is a “Greek tragedy with a thriller inside it”.

Based on a Wajdi Mouawad play which premiered in Montréal, the scope and the use of sudden explanatory, digressive flashbacks are cinematic rather than theatrical. Although there are very few characters in the film, and the head-to-head interaction seems rooted in theatre, it’s impossible to trace the path back to how it might have originally been seen and interpreted on stage. Villeneuve must have opened out Mouawad’s creation.

Incendies has already been reviewed on theartsdesk, so its release on DVD offers a chance to reflect on what brings this film its power. Nominated for Best Foreign Language Film in the 2011 Academy Awards, Incendies lost out on the Oscar to Denmark’s In a Better World. It has picked up numerous other awards though. Both films have conflict, violence and civil unrest at their core. Both feature warlords. Both don’t place themselves geographically: In a Better World’s European conurbation is anytown Denmark, Incendies’s Daresh could be Beirut. But Incendies is darker, its take on the horrible things seen drier, almost reportage. This distance, the lack of making a moral case, forces the viewer to engage, to make choices about what might be good, might be bad.

The DVD extras are the UK cinema trailer, a PowerPoint-style Q&A with Villeneuve and an Al Jazeera item on the film, where Villeneuve takes questions from an audience. The latter is short, but revealing. Villeneuve says that Mouawad told him that making the film would take its toll: “When I wrote the play I suffered a lot, and you will suffer also.” The power remains.

Watch Denis Villeneuve discuss Incendies

{youtubejw}z2Ub_K3ObB0{/youtubejw}

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films