DVD: This Must Be the Place

Sean Penn makes for a great goth in Sorrentino’s flawed but pertly peculiar road trip

Those familiar with Italian director Paolo Sorrentino’s elegant political feature Il Divo (2008), or perhaps the beautiful, cynical The Consequences of Love (2004) may find themselves struck (pleasantly) dumb by the direction of his latest. Inspired by Lynch’s The Straight Story, This Must Be the Place takes its name from the Talking Heads track (with David Byrne providing original songs and popping up for a cameo). This curio sees Sean Penn’s mischievous goth rocker turn Nazi hunter, taking up his dead father’s mantle of revenge.

Penn plays retired rock star Cheyenne, the sartorial twin of The Cure’s Robert Smith, who is despondently living out his days in Dublin with his no-nonsense firefighter wife Jane (a reliably brilliant Frances McDormand). His attempts to match-make his melancholy young friend and fan Mary (Eve Hewson) with likable waiter Desmond (Sam Keeley) are interrupted when Cheyenne is called to attend his father’s funeral (from whom he was estranged). And so he’s drawn into an American adventure, in which he is both thwarted and assisted by seasoned Nazi hunter Mordecai Midler (Judd Hirsch).

Penn isn’t exactly known on or off screen for his sense of humour, so his performance here is something of a revelation. He’s awkward and affected but purposefully so, and has an enjoyably effeminate, genuinely deft comedic delivery. Sorrentino directs with his usual flamboyant style, resisting exposition, and - as with Il Divo - it’s occasionally to the film’s detriment. This Must Be the Place lacks enough sincerity to truly move and the ending is dispiritingly trite. Nevertheless it’s well worth watching, if only to witness Penn’s dirty table tennis tactics, or to see him terrorised by a goose. This Must Be the Place is flawed for sure but a credible cast (which also includes Harry Dean Stanton) and skilfully executed humour carry it joyously through. Adequate extras include deleted and extended scenes and interviews.

Watch the trailer for This Must Be the Place

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Penn isn’t exactly known on or off screen for his sense of humour, so his performance here is something of a revelation

rating

3

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films