DVD: Whiplash

A thriller about jazz drumming - what's not to like?

Any parent, or anyone who's ever stood in front of a class needs to watch Whiplash. In a film brimming over with ideas, the recurring question is whether or not your pupils will ever achieve greatness if you overpraise them. As JK Simmons's Terence Fletcher explains, the most harmful words in the English language are “good job”. He refers to an inexperienced Charlie Parker having a cymbal thrown at him by an angry bandmate, and the first major shock in Whiplash comes when an enraged Fletcher hurls a chair at student drummer Andrew Neiman (Miles Teller) during a rehearsal. Fletcher's pantomimic villain schtick does arguably achieve results, and it's tempting to conclude that the ends justify the means.

Damien Chazelle’s direction makes Whiplash’s forward motion as giddying as the tricksy Hank Levy composition which gives the film its title. And as a portrait of music making, it succeeds, despite occasional inaccuracies. Those who have struggled in school orchestra rehearsals will wince as Fletcher subjects his conservatoire musicians to volley after volley of sexist and homophobic abuse. We think of jazz as a laid-back, smudgy musical genre, so it’s darkly funny to see the autocratic, bullying Fletcher demanding such pin-sharp precision from the players. Simmons’ Fletcher is a magnificent, snarling creation, his perpetual scowl lifting just a couple of times – enough to make us wonder if he really is such a monster. “Enjoy yourself,” he tells a terrified Neiman, “the key is just to relax.”

Teller’s Neiman rises to the challenge, unafraid to show his character’s grubbier side – cruelly ditching his girlfriend and dishing out snobbish put-downs at a family dinner party. But, by the end, Chazelle has us rooting for him. Whiplash’s bravura final sequence is thrilling, making us forget the plot inconsistencies and lurches of tone. What is Fletcher’s back story? If he’s such a great musician, why is he teaching at a conservatoire? We’re not told. No matter. The soundtrack is terrific, and the supporting cast is strong – look out for entertaining turns from Nate Lang and Austin Stowell as Neiman’s fellow drummers. Extras include an entertaining interview with director and stars, and a witty commentary from Chazelle and Simmons.

Overleaf: watch the trailer for Whiplash

Watch the trailer for Whiplash


 

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Whiplash’s forward motion is as giddying as the Hank Levy composition which gives the film its title

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films