Lights, Camera, Malta!, BBC Concert Orchestra, Malta review – a spectacular celebration of film history

Radio 2 brings Friday Night is Music Night to the Maltese capital

With sapphire blue waters, year-round sun and architecture that spans centuries and cultures, it’s little wonder that Malta is a favourite location for Hollywood. To celebrate its long featured history, Radio 2 brought the BBC Concert Orchestra to Valletta for a special Friday Night is Music Night. It was a suitably bombastic evening, featuring soundtracks and songs from cinema, topped off by the Maltese favourite, fireworks.

Charles Dance at Lights, Camera, Malta! Radio 2 Friday Night is Music NightOur guide for this cinematic journey was the ever-effervescent Charles Dance, bouncing between anecdotes and impressions, wearing a smile rarely seen in his screen roles. His enthusiasm spread to the performers, including fellow Game of Thrones alumnus Hannah Waddingham, Louise Dearman, Bradley Jaden and the Piano Brothers. The 70-piece Concert Orchestra, conducted by Richard Balcombe, were in strong form too, relishing some of the more elaborate scores. When watching a film, it’s easy to forget what musicianship and scale is required to create such a sound. This evening served as an astonishing reminder.

The various soundtracks served as a tour of the island’s many sights. Take the walled city of Mdina (pictured below), tight passageways and stunning architecture that TV buffs might better recognise as King’s Landing. Or there’s the imposing Fort Saint Elmo in Valletta, which doubled for Istanbul in the 70s classic Midnight Express. The island’s unique Mediterranean position brought it a fascinating mix of cultures, including Ancient Roman, Arabic, Baroque, and British. Put simply, it can double up for quite a lot, something the island actively promotes to studios.MdinaAnd it’s not just Malta’s cities – the deserts and oceans have also hosted many cinematic icons. The unmistakable opening stabs of Elmer Bernstein’s The Magnificent Seven score were a wonderful revelation that the island functioned as the wild west. This was the quintessential Western soundtrack, performed with gusto by the string section. However, the surprise package came in the appropriately named Golden Voyage of Sinbad, which oozed the charm of cinema’s golden age. With luxurious melodies that swept into high seas, it’s a hidden gem from legendary screen composer Miklós Rózsa.

The performers were a fine selection from the West End’s top shows. Louise Dearman, the first actress to play both Glinda and Elphaba in Wicked, brought some magic to Giorgio Moroder’s “(Theme from) Midnight Express”, blending orchestral swells with '80s tuned electronic drums. Hannah Waddingham proved to be a real star with her version of “The Spy Who Loved Me”; who knew the miserly Septa Unella hid such a powerful singing voice?Blue Lagoon, MaltaAs expected, there were also crowd-pleasing moments from films away from Malta. Fresh from performing as Inspector Javert, Bradley Jaden swept away any memories of Russell Crowe’s singing with a stirring rendition of “Stars” from Les Miserables. Global hits Frozen and The Greatest Showman also featured, along with a Lion King medley performed by the energetic Piano Brothers on duelling mini-grands. While these felt a little strategically (and cynically) placed, they were rapturously received by the 10,000-strong crowd and proved to be the right choices. If there’s one minor criticism, and it’s one that always plagues Friday Night is Music Night, it’s that some songs don’t suit the perfected vibrato singing of musical theatre, shown in “Shallow” from A Star is Born and the Queen classic “We Are the Champions”.

The evening finished in spectacular fashion with (apparently) the first ever fireworks show choreographed live with the Star Wars theme. Perhaps a record too specific to bother the Guinness Book, but still an extraordinary experience. According to a local guide, the Maltese love any excuse for a fireworks display and this was certainly an event worthy of such colour and sound (though one doesn’t envy the Radio 2 engineers tasked with limiting the explosions for the broadcast). With a final rendition of the Maltese national anthem, the revellers were sent into the night smiling, rightfully bursting with pride for the impact their home has had in the film industry.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
It’s easy to forget what scale and musicianship are required to create such a sound. This evening served as an astonishing reminder

rating

5

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

DFP tag: MPU

more film

The Bad Seed explains the cost of home truths while making documentary Ellis Park
Kathryn Bigelow's cautionary tale sets the nuclear clock ticking again
The star talks about Presidential decision-making when millions of lives are imperilled
Frank Dillane gives a star-making turn in Harris Dickinson’s impressive directorial debut
Embeth Davidtz delivers an impressive directing debut and an exceptional child star
Leonardo DiCaprio, Teyana Taylor, and Sean Penn star in a rollercoasting political thriller
Cillian Murphy excels as a troubled headmaster working with delinquent boys
Ann Marie Fleming directs Sandra Oh in dystopian fantasy that fails to ignite
In this futuristic blackboard jungle everything is a bit too manicured
The star was more admired within the screen trade than by the critics
The iconic filmmaker, who died this week, reflecting on one of his most famous films