Sundance London 2014: They Came Together

Paul Rudd and Amy Poehler are sadly squandered in this uninspired rom-com spoof

share this article

It might be putting it bluntly, but hell - American rom-coms didn't always suck. The screwball comedies of the 30s and 40s made bickering artful and aspirational and Woody Allen added his own neurotic spin in the 70s. Now the commercial end of the genre makes fools of us all with its desperate women, bland men and rigid, asinine formula. These films are an insult to the intelligent, ambitious or independent, and are at best a guilty pleasure.

Modern rom-coms might be a joke but unfortunately they're not a joke with legs, as David Wain's Scary Movie-esque spoof They Came Together shows us over 83, largely excruciating, minutes. In what should have been a match made in comedy heaven Paul Rudd and Amy Poehler star as Joel and Molly, a couple who recount the story of their courtship during dinner with friends. It's immediately clear this will be served with big dollops of meta; "It's a kind-of corny romantic comedy," Joel weakly laughs. Oh, brother.

To its credit They Came Together feels comprehensive in its coverage of every rom-com cliché from the last 25 years but that makes it a pretty tedious watch as it's all far too familiar, not particularly biting in its ridicule and without any real identity and tension of its own. Like so many spoofs, Wain's fifth feature is stronger when it diverts off into more surreal territory (rather than simply observing the multitude of failings of a genre that it is after all emulating). Also, thanks in main to the considerable comedic talent of its leads, some of the cruder jokes might raise the occasional guilty guffaw - and these at least act as a welcome release from the more convoluted set-ups that fall flat.

A late in the day appearance by the mighty Michael Shannon (who arrives screaming as if he's been forced to watch this several times himself) isn't enough to save a film that feels pretty redundant from the off. With targets this obvious it's like shooting fish in a barrel, with a bazooka.

Comments

Unfortunately, I don't agree with you here. It felt more like a 'Naked Gun' style of film where it parodied the genre, rather than 'Scary Movie' whereby it goes for a play by play of individual movies. It was ridiculous, dumb and easy to watch. The cast was great too. I can understand where some would find it tedious, particularly as it wandered between actually trying to add some substance and outright stupidity, but on the whole I found it a good film with really funny moments. Exactly as I expected, and would definitely recommend.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

2

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more film

Joachim Lang's docudrama focuses on Goebbels as master of fake news
The BFI has unearthed an unsettling 1977 thriller starring Tom Conti and Gay Hamilton
Estranged folk duo reunites in a classy British comedy drama
Marianne Elliott brings Raynor Winn's memoir to the big screen
Living off grid might be the meaning of happiness
Tender close-up on young love, grief and growing-up in Iceland
Eye-popping Cold War sci-fi epics from East Germany, superbly remastered and annotated
Artful direction and vivid detail of rural life from Wei Liang Chiang
Benicio del Toro's megalomaniac tycoon heads a star-studded cast
Tom Cruise's eighth M:I film shows symptoms of battle fatigue
A comedy about youth TV putting trends above truth
A wise-beyond-her-years teen discovers male limitations in a deft indie drama