Strictly goes to the Proms

Canny brand synergy encourages fans to keep Promming

The glitterball has landed. After loaning out Proms queen Katie Derham to Strictly Come Dancing last series, where she hauled comedy pro Anton Du Beke all the way to the final, the Beeb’s Saturday-night juggernaut returned the favour by waltzing a ballroom troupe over to the Albert Hall. Would it be a perfect partnership or murder on the dancefloor? 

Purists may have baulked at the advent of sequins and feathered hems, but – following on from similar BBC brand synergy Doctor Who and Sherlock editions – it was a shrewd effort to capitalise on the channel’s hit show and bring in a new Proms audience. It would also have been a welcome change for Strictly’s dancers, usually saddled with lead-footed celebs and challenged to make quickstep and The Who seem like natural bedfellows.

Derham encored her leaderboard-topping Viennese waltz, this time in the arms of Aljaž Škorjanec (a significant upgrade), while the pros produced everything from samba and quickstep to tricks-filled Charleston. Meanwhile, the BBC Concert Orchestra, under the baton of ENB's Gavin Sutherland, produced a winning, dance-inspired programme – including Satie, Piazzolla, Tchaikovsky and Bizet – taking full advantage of this more populist showcase to encourage fans to keep Promming.

See images from the Strictly Prom below

Comments

Permalink
Disappointing in the extreme when you think what could have been achieved. The Katie Derham show combined with an evening of light classics. Cmon bbc, you can do better than this when Strictly is so musically rich! 
Permalink
Yes quite agree. I lost the will to live. BBC gave the dancers such a confined space it just boiled down to a backwards and forwards motion.

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
Purists may have baulked at the advent of sequins and feathered hems

rating

0

explore topics

share this article

more dance

Support our GoFundMe appeal
The title says it: as dancemaker, as creative magnet, the man clearly works his socks off
Once again the veteran choreographer and maverick William Forsythe raises ENB's game
A book about navigating grief feeds into unusual and compelling dance theatre
Kenneth MacMillan's first and best-loved masterpiece turns 60
Total music theatre takes us from the hell of exile to separation at heaven’s gates
Opera and dance companies share a theme in this terse but affecting double bill
John Cranko was the greatest choreographer British ballet never had. His masterpiece is now 60 years old
It was a year for visiting past glories, but not for new ones