Album: La Roux - Supervision

Key 21st century British synth-pop doyen investigates frothy electro-disco to disappointing effect

10 years ago, a wave of exciting femme-pop was cresting, women taking the reins with singular visions; the results were shiny, personally honest, inventive and ebullient, from Gaga to Adele and beyond. A leading light was La Roux, a duo fronted by the androgynous Elly Jackson. She looked different, a bit Bowie, and the music was a fantastically catchy reimagining of Eighties synth-pop. They had monster hits with “In for the Kill’ and “Bulletproof” but Jackson’s career since has swerved about somewhat. Her return is much-anticipated. Unfortunately her third album, while bubbling with bounce, lacks immediate contagiousness.

Jackson’s La Roux musical partner, Ben Langmaid, left during the making of their second album in 2014 and, while it was a likeable, sexy sidestep on from the debut, it didn’t muster the same levels of interest. She has since disappeared from the limelight, excepting a couple of guest appearances (New Order, Tyler the Creator). Self-produced, with finishing touches from alt-pop/indie studio don Dan Carey, Supervision has been a long time coming.

The sound is underpinned by subtle and not-so-subtle emulations of Nile Rodgers’ disco guitar riffing, but in Eighties mode rather than raw Chic. The single “International Woman of Leisure” comes on like the very earliest Madonna hits (“Holiday”, Lucky Star”, etc) while “Do You Feel” reminds of Michael Jackson from the same period (as do quite a few of her falsetto vocals). The lyrics bridge the lovelorn and boldly self-confident - she won’t be putting up with nonsense in a relationship. The problem, however, is that even after a few plays these songs pass by and don’t stay in the memory.

The exception is the stately-paced “Otherside” which has a rolling groove that drags the ear along and a chorus to match. Like much of the album it has a slight reggae lilt, but it also demands attention. So does the great album cover. She still looks great. Supervision doesn’t feel like a career-resurrecting comeback but nor does it feel like the game is over yet for this unique artist.

Below: Watch the video for "Automatic Driver" by La Roux

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
The lyrics bridge the lovelorn and boldly self-confident

rating

2

explore topics

share this article

more new music

A new Renaissance at this Moroccan festival of global sounds
The very opposite of past it, this immersive offering is perfectly timed
Hardcore, ambient and everything in between
A major hurdle in the UK star's career path proves to be no barrier
Electronic music perennial returns with an hour of deep techno illbience
What happened after the heart of Buzzcocks struck out on his own
Fourth album from unique singer-songwriter is patchy but contains gold
After the death of Mimi Parker, the duo’s other half embraces all aspects of his music
Experimental rock titan on never retiring, meeting his idols and Swans’ new album
Psychedelic soft rock of staggering ambition that so, so nearly hits the brief
Nineties veterans play it safe with their latest album