reviews, news & interviews

1954 Cunning Little Vixen
by igor.toronyilalicFriday, March 19, 2010
Front of Suprapon's recording of The Cunning Little Vixen
Filmed extracts of a fantastically vivid 1954 production of Janáček's The Cunning Little Vixen have been unearthed by the great blogger Doundou Tchil of Classical Iconoclast. Václav Neumann is the conductor; Berlin's Komische Oper is the house. Whets the appetite for tonight's Bill Bryden revival production at Covent Garden. Hard to imagine the sets or the acting (watch that singing vixen scrambling about before the poacher) being bettered. My friend says I'm setting myself up for a fall. But Sir Charles Mackerras will no doubt give Neumann a run for his money.


Add comment

The content of this field is kept private and will not be shown publicly.
About text formats

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.

rating

0

explore topics

share this article

Share

more opera

Help to give theartsdesk a future!
Support our GoFundMe appeal
La Straniera, Chelsea Opera Group, Barlow, Cadogan Hall review - diva power saves minor Bellini
Australian soprano Helena Dix is honoured by fine fellow singers, but not her conductor
The Queen of Spades, Garsington Opera review - sonorous gliding over a heart of darkness
Striking design and clear concept, but the intensity within comes and goes
The Flying Dutchman, Opera Holland Park review - into the storm of dreams
A well-skippered Wagnerian voyage between fantasy and realism
Il Trittico, Opéra de Paris review - reordered Puccini works for a phenomenal singing actor
Asmik Grigorian takes all three soprano leads in a near-perfect ensemble
Faust, Royal Opera review - pure theatre in this solid revival
A Faust that smuggles its damnation under theatrical spectacle and excess
Pygmalion, Early Opera Company, Curnyn, Middle Temple Hall review - Rameau magic outside the opera house
Welcome opportunity to catch opera-ballet, though not everything is in perfect focus
Parsifal, Glyndebourne review - the music flies up, the drama remains below
Incandescent singing and playing, but the production domesticates the numinous
Giulio Cesare, The English Concert, Bicket, Barbican review - 10s across the board in perfect Handel
When you get total musicality from everyone involved, there’s nothing better
The Excursions of Mr Brouček, LSO, Rattle, Barbican review - sensuousness, fire and comedy in perfect balance
Janáček’s wacky space-and-time-travel opera glows and grips in every bar
Pimpinone, Royal Opera in the Linbury Theatre review - farce with a sting in its tail
Telemann’s comic opera hits the mark thanks to two fine, well-directed young singers
Die Walküre, Royal Opera review - total music drama
Kosky, Pappano and their singers soar on both wings of Wagner’s double tragedy