Almost two decades into a distinguished career, nobody would have judged Thea Gilmore for indulging herself with a greatest hits collection – indeed, it’s something that record labels have been bugging her about for years.
Dion: Recorded Live at the Bitter End August 1971
Olivia Chaney’s reputation as a singular folk singer and songwriter has been bubbling on and off the radar for some years now. There were EPs in 2010 and 2013, and she featured on the excellent Peter Bellamy tribute, 2011’s Oak Ash and Thorn, and she has toured solo, as well as worked with Alasdair Roberts.
There’s a certain sound - one that I’d describe as “pastoral folk”, without ever being certain of what that means - that has always struck me as quintessentially English. Jenny Lysander’s debut album is one that ticks many of those boxes: sparse arrangements, ageless vocals, even a song called “Lavender Philosophy”, which is about as pastoral as it gets without involving grazing animals.
There’s no doubting the precocious talent of Laura Marling. At just 25 she recently released her fifth album, Short Movie, which matched the spiky introspection of song-writing previously driven by folk melodies with a new rock-orientated sound.
Bert Jansch: Bert Jansch
Mike Rosenberg kept the name "Passenger" for his solo folk-pop project even when the rest of the band left in 2009, even though, for a one-man outfit, the concept of being a passenger is a curious one. (Who’s driving then?) For the most part, this 16-song, two-CD release continues the gentle-sounding but hard-hitting storytelling of last year’s Whispers.
Fotheringay: Nothing More – The Collected Fotheringay
Very often, the greatest impact comes without shouting. Subtlety can have a power lingering longer than the two-minute thrill of a yell. So it is with Bridges, the eighth album by Eivør. In the past, the Faroese singer-songwriter has collaborated with Canada’s Bill Bourne, the Danish Radio Big Band and Ireland’s Donal Lunny, and taken turns into country and jazz. Bridges builds on her last album though, 2012’s Room, as further evidence that she is now more focused than ever.
Sam Lee launched his second album this week, the eagerly anticipated follow-up to his Mercury-nominated debut, A Ground of it Own.