BBC Proms: William Tell, Orchestra of the Academy of Santa Cecilia, Pappano

There's more to the piece than just the Lone Ranger overture

Rossini's William Tell has to be the most well-known unknown opera ever written. There's unlikely to be a man, woman or dog on the planet who can't whistle or bark a part of the overture. But the other four hours? What of that? One opera aficionado told me that the last time he'd heard the whole thing live, Winston Churchill was still in Number 10. Prommers were being given their first chance last night. It was hard not to come to it with trepidation.

First Night of the 2011 Proms

A muted start, but the curtainraiser brightens towards a Janáček stunner

Here we are again. Marvel as you enter at the aptly gaudy lighting of Albert's colosseum, but know that unless your place is with the Prommers towards the front of the arena, the musicians will often sound as if they're in another galaxy - maybe one hinted at in the George Herbert words, if hardly the Judith Weir music, of the opening BBC commission, Stars, Night, Music and Light. Though spattered with Messiaenic orchestral paint - not to mention the obbligato sniffalong from my annoying neighbour - it felt like a very tame, rather olde-British gambit.

BBC Proms 2011: theartsdesk recommends...

As the festival begins, our critics pick plums from 90 concerts

Tonight the doors open for the biggest classical music festival in the world, the BBC Proms at the Royal Albert Hall. To help you plan your summer visits and listening, theartsdesk's critics gently steer you with their own preferences from the 90 concerts on offer. You can also check the complete list of all Proms on another page.

Strictly Gershwin, English National Ballet, Royal Albert Hall

If you like formation dancing, you'll love this. Otherwise not so much

Mark Twain once wrote of his experience of going to German opera. It starts at 6, he said, and they sing for four hours. Then you look at your watch, and it’s 6.15. This is also an all-too-accurate description of a night at English National Ballet’s Strictly Gershwin. Except that I began to look at my watch after 10 minutes.

Old-fashioned ballroom sequins have Derek Deane fatally in thrall

Donovan, London Contemporary Orchestra, Royal Albert Hall

The Sunshine Superman pulls out the psychedelic stops - aided by Jimmy Page

A question passed through my mind before last night’s Donovan show. Special guests were billed for this celebration of his classic psychedelic album Sunshine Superman. Perhaps they'd include Jeff Beck or Jimmy Page, both of whom played on Donovan's records in the Sixties. Then, introducing “Sunshine Superman”, Donovan mentions the then-session player Jimmy Page, who walks on and joins in. Seeing Page reunited with his pre-Led Zeppelin, pre-Yardbirds session man self was incredible. Needless to say, he played great. Donovan shone.

The Monkees, Royal Albert Hall

A dignified reclamation of all that was great about the Sixties boy band

The Monkees’ Head was their celluloid suicide note. They chanted that they were a manufactured band with no philosophy. The film caught an authentic psychedelic vision which came to life again last night. Post-interval, the show continued with a stunning run through of the Head soundtrack songs, most of which had never been played live. Reclaiming this maverick and wilful part of their career, The Monkees said last night that they were more than the puppets of those who had assembled them as TV-land America’s answer to The Beatles.

BBC Proms 2011 In Full

Full listings of all the Proms, premieres and performers, from Albeniz to Zinman

The 2011 BBC Proms open on Friday 15 July and close on Saturday 10 September. Strands linking the 90 concerts include Choral Sundays, film and TV music proms, French music, unusual concertos, Liszt and Frank Bridge focuses, and the first Comedy Prom. We bring you the full listings guide below and will be making our recommendations shortly before the box office opens on 7 May.

BBC Proms 2011: The Briefing

Mouth-watering prospectus promises both youth and choral blockbusters

In 2010, the prospectus didn't excite but the concerts turned out better than ever. "Let's hope it's not the other way round this year," commented Proms Director and Radio 3 Controller Roger Wright on Thursday afternoon as we milled around with our tea and biscuits under the eaves of the Royal College following a very jolly press briefing.  For what's on offer looks, this time, very promising indeed, to me at any rate. (See theartsdesk's full listings.}

theartsdesk Q&A: Director Robert Lepage

TAD AT 5: A SELECTION OF OUR Q&A HIGHLIGHTS – Director and theatre-maker Robert Lepage

The fearless theatre-maker tells us why his alter ego is in a funk

Robert Lepage is not just one of the most fêted and sought-after theatre directors in the world; he is also one of the most prolific. His international breakthrough came with The Dragon Trilogy in 1985, and since then the French-Canadian’s work has been seen across the globe. His stunningly ambitious production of Wagner’s Ring cycle was recently performed at the Metropolitan Opera, New York, and he conceived and directed Cirque du Soleil’s latest acrobatic blockbuster, Totem, which can currently be seen at the Royal Albert Hall.