A classic specimen of the “what doesn’t kill you makes you stronger” school, Bruised is Halle Berry’s directorial debut.
The independent filmmaker Alexandre Rockwell has flown under the radar since he made his name with the Cassavetes-vibed 1992 New York comedy In the Soup. He recently explained that his career was sabotaged by Harvey Weinstein, who was jealous, Rockwell suspects, of his close friendship with Quentin Tarantino. The intervening years haven’t been fallow, but Rockwell’s 10th feature, the lyrical childhood mini-odyssey Sweet Thing (2020), represents a major comeback.
Iliza Shlesinger is an American writer, performer and presenter whose film work includes roles in Pieces of a Woman and Good on Paper, the latter which she also wrote and produced. She's also an established stand-up comic, with five Netflix specials to her name. For her latest stand-up show, Back in Action, she was on a fleeting visit to London as part of an international 70-date tour, delayed by COVID, before she performs some dates in the US.
‘Night, Mother remains a play of piercing pessimism, something that’s not necessarily the same as tragedy, though the two often run congruently. The inexorability of the development of Marsha Norman’s 1983 Pulitzer Prize winner certainly recalls the tragic arc of drama, but its sense of catharsis remains somehow limited.
Conceived on a global scale to depict the enormity of an alien menace from outer space, Apple's new series Invasion has grand ambitions, but crash-lands like a pile of space junk. After a few hours of this, waiting for something to happen, you’ll be yearning for a trawl through Netflix or Walter Presents.
Lana Del Rey’s eighth album would tell her story “and pretty much nothing else”, she teased, as her planned, near instant follow-up to Chemtrails Over the Country Club slipped back from spring to autumn.
From underground curiosity to cult icon, now label head and superstar, Atlanta’s Young Thug has continued to reinvent himself, as well as rap at large, for the better part of a decade. After being announced over two years ago, his new album Punk is finally here.
"I can't sleep": So goes the fateful opening line of White Noise, the Suzan-Lori Parks play disturbing enough to spark many a restless night in playgoers who are prepared to take its numerous provocations on board. To do so requires various suspensions of disbelief, one quite substantial, on the way to a finish that, in Polly Findlay's Bridge Theatre UK premiere, comes at least 20 minutes earlier than I recall from this play's Off Broadway debut in spring 2019.
It’s Christmas 1971 in New Prospect, a suburb of Chicago, and pastor Russ Hildebrandt has plans for time alone with Frances, an attractive young widow who’s just moved back into town.
Its more than 50 years since Yoko Ono first presented Mend Piece at the Indica Gallery, London in the exhibition through which she met John Lennon. The piece is currently being revisited at the Whitechapel Gallery and, in the intervening years, its meaning has subtly shifted. Strewn over four tables are dozens of broken cups and saucers along with everything you need to attempt a botched repair – glue, sellotape, scissors and string.