The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/writer/producer like Apatow has room for growth. 

Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend whom they have shared.

Swallow Tales is a great album. It took three musicians fewer than five hours on one afternoon in New York studio in March 2019 to make. But there again, it also took them more than 40 years.

Reese Witherspoon has evolved into a growth industry on the new frontier of Big Television. Her production company Hello Sunshine has a heap of projects on the go with a range of networks, and following her success with Big Little Lies (for HBO), Little Fires Everywhere comes to you courtesy of Hulu (in the US) and Amazon Prime.

As we continue into a third month in lockdown, the arts continue to suggest ever-changing worlds beyond. The invaluable National Theatre at Home this week looks across the Thames to a smaller venue's large-scale Coriolanus, starring a certain superhero movie icon, whilst the equally cherished Graeae streams their lively musical theatre tribute to the late Ian Dury.

It’s impossible to deny the sincerity with which Todd Robinson has approached the true story of William H. Pitsenbarger, a US Air Force Pararescueman who was killed in action while rescuing over 60 injured soldiers during one of the bloodiest conflicts in the Vietnam war. 

As news bulletins compare events in America to 1968, the mental jukebox spins almost inevitably to “Abraham, Martin and John”, first recorded by Dion – the price of a new record contract after he‘d got clean and split from The Belmonts. It’s not the best known version (that’s Marvin Gaye’s) but it made No 4 on the US charts and relaunched Dion’s career.

It’s too early for a definitive account of the Covid-19 pandemic, and this was very much a Sky News version of what we’ve been through so far. Although it seems the virus has peaked and we’re entering a tentative stage of partial de-lockdown, the message was relentlessly grim.

The Vast of Night’s premise scarcely guarantees originality. Non-science-fiction buffs scoping Amazon’s film listings will probably move on quickly when they learn it’s about two late-'50s teenagers discovering that an alien space craft is hovering over their rural New Mexico burg.

The live-ness of theatre seems further away with every passing week, but at least the art form itself lives on to tantalise and entertain, whetting the appetite until such day as we are sharing an auditorium once again. National Theatre at Home continues to lead from the front with a tantalising array of offerings, this week bringing to the fore the busy James Graham in his comparative creative infancy with This House.