The Prisoner of Second Avenue, Vaudeville Theatre

Jeff Goldblum and Mercedes Ruehl shine in a timely revival of Neil Simon's 1971 comedy

Jeff Goldblum is a big guy, 6'4" tall to be precise, and, though his character inhabits an improbably spacious, high-ceilinged New York apartment, he roves around it like a crazy caged animal in this intensely athletic and entertaining revival of Neil Simon's disturbing 1971 comedy.

Fab Two Alert!

Mini Beatles reunion caught on a thousand shakycams

It wasn't memorialised in HD. But last night Ringo Starr turned 70 and welcomed Paul McCartney onstage at Radio City Music Hall in New York for a musical celebration. There was only one song they were going to perform, and a thousand mobile phone cameras were duly held aloft to capture it. The results have sprouted overnight on YouTube, and they all have the grainy shakycam quality of all that old footage from the Cavern Club.

Two ballerinas retire - how grateful are we?

Farewell to Darci Kistler, the last Balanchine ballerina, and the Royal Ballet's Miyako Yoshida

Two leading ballerinas retired this week on either side of the Atlantic, Darci Kistler of New York City Ballet and Miyako Yoshida of the Royal Ballet. Both are in their mid-forties (not old for a ballerina) and each is an exemplar of certain best qualities of their companies, yet each seems to have outstayed their welcome in some way.

Whatever Works

Woody Allen is back home: where neurotic old New Yorkers date dim young girls

n Woody Allen’s Whatever Works, Larry David plays the fourth-wall-breaking narrator and protagonist Boris Yetnikoff. In his early sixties, Boris is an atheist, hypochondriac, divorcee, failed suicide, blowhard existentialist, and world-class curmudgeon, who’s abandoned his career as a nearly-Nobel-level physicist. He’s the most acridly loquacious - and easily the funniest - Woody Allen manqué yet, vehement in his conviction that life is futile, ready to assume that he has thyroid cancer, who wakes screaming “The horror!

Please Give

Benefaction and blue jeans cohabit in gentle, telling Nicole Holofcener film

Charity begins at home - or maybe not - in Nicole Holofcener's lovely film, Please Give, which joins the superlative Greenberg as one of the beacons in a summer movie line-up given over to sequels, franchises and pitches that should never have got beyond the story board.

True Stories: We Live in Public, More4

A troubling film that says as much about us as it does the dot-com pioneer, Josh Harris

With the last ever series of Big Brother dominating Channel Four’s schedules for the rest of the summer, the first TV screening of this Sundance Film Festival award-winner couldn’t have been better timed. Because the chillingly disconcerting “art project” that dot-com pioneer Josh Harris devised back in 1999 (just before Big Brother came on air for the first time) made the world’s most controversial reality TV show look like Kenneth Clarke’s Civilisation, by comparison.  American film director Ondi Timoner’s documentary is an unsettling look at Harris’s struggle to find himself which could be viewed as a cautionary tale for any parents who use their television or PC as a child minder.

The Fantasticks, Duchess Theatre

Small and simple Off Broadway, winsome and wearying on the West End

Just when you thought it was safe to go back to the musical theatre (Paradise Found, anyone?), along comes The Fantasticks, and we are returned to square one. How can this be, I hear you asking, given the record book entries clocked up by a Tom Jones/ Harvey Schmidt confection that ran Off Broadway continuously for over four decades before closing in 2002?

Brooklyn's Finest

The clean streets of New York? Not on this film's watch

For the past decade or so, New York City has been bragging about its crime figures. Homicides are through the floor, whole fleets of firepower-toting cops are out there hassling hustlers, and the mean streets have been swept pretty much clean. I don’t think the creators of Brooklyn’s Finest can have got the press release. In their version of reality, the body count is off the chart as blood pumps, spurts and leaks from innumerable gunshot wounds, all of them faked up with a gleeful eye for detail.

Gleeful: The Real Show Choirs of America, E4

An informative overview that's all shimmering surface but no depth

My excuse is that I was comfortably settled on the sofa next to my wife when the first episode of Glee aired, and I just got drawn in. I know, it’s not much of an excuse - and it hardly explains the fact that I then went on to watch the next 20 episodes - but there we are. And as a heterosexual middle-aged ex-punk rocker, I’m certainly not the obvious target demographic for this latest American television phenomenon, so perhaps I should explain further.

Lady Gaga, O2 Arena

She's like Madonna - but a much better singer

If the power-generating companies in the London area noticed a sudden surge in electricity consumption late on Sunday afternoon, I think I can explain why: many thousands of hair-straighteners and other beautifying devices were doubtless being put to use in the run-up to Lady Gaga’s show at the O2 Arena, the first of two nights in London.