Edinburgh Fringe 2021: Still

★★★★ EDINBURGH FRINGE 2021: STILL Frances Poet offers a luminous meditation on suffering and death

Frances Poet offers a luminous meditation on suffering and death at the Traverse

Ageing Mick wakes up on Portobello beach with two gold rings in his pocket, and embarks on the bender to end all benders in order to work out what or who they’re for. Young Gilly has a poorly pug named Mr Immanuel Kant, but can’t face having it put down. Gaynor has suffered from fibromyalgia for decades, but must put it aside if she’s to see her newborn granddaughter. Dougie and Ciara are preparing for their life-changing arrival with one last hedonistic night on the dance floor.

Elisabeth Leonskaja / Goldmund Quartet, Edinburgh International Festival review - established and emerging stars shine bright

★★★★★ ELISABETH LEONSKAJA / GOLDMUND QUARTET, EDINBURGH INTERNATIONAL FESTIVAL Established and emerging stars shine bright

Jubilant Brahms and dramatic Schubert in two bite-sized chamber concerts

A gem in Edinburgh International Festival’s classical music programming has always been the Queen’s Hall series. Hosting some of the finest chamber musicians on the international stage, that venue has seen countless incredible, more intimate performances over the years.

Edinburgh International Festival 2021: traditional music round-up review

EDINBURGH INTERNATIONAL FESTIVAL 2021 A feast of traditional music in Old College Quad

An outdoor feast as some of the finest traditional musicians perform in Old College Quad

Following on from last year’s online-only My Light Shines On programme, traditional music features heavily in the 2021 Edinburgh International Festival, with a series of live performances taking place outdoors, in the quad of Edinburgh University's Old College (pictured below).

Baker, Chineke! Orchestra, Eddins, Edinburgh International Festival review - women's stories told by women

★★★★★ BAKER, CHINEKE! ORCHESTRA, EDDINS, EDINBURGH INTERNATIONAL FESTIVAL A powerful and poignant performance of an epic song-cycle by Judith Weir

A powerful and poignant performance of an epic song-cycle by Judith Weir

The Edinburgh International Festival has returned this year, with a programme of socially distanced events held almost completely outdoors.

Natalie Palamides: Nate: A One Man Show, Netflix review - deep dive into toxic masculinity still has power

★★★★★ NATALIE PALAMIDES: NATE: A ONE MAN SHOW, NETFLIX A deep dive into toxic masculinity

'One-man' show about consent

Edgy comedy runs the risk of discomfiting the audience so much that they can't relax and enjoy the show. But Natalie Palamides, appearing as Nate, her alter ego, in Nate: A One Man Show on Netflix, pulls it off, and then some.

Edinburgh International Festival 2019: JARV IS review - Britpop legend still delivers

★★★★ EDINBURGH INTERNATIONAL FESTIVAL 2019: JARV IS Britpop legend still delivers

Pulp frontman brings expertly crafted songs and a tight, talented band to Leith Theatre

”Cunts Are Still”. Well, that got your attention, didn’t it? Not my words, merely the title of one of JARV IS’s new tracks. In case you didn’t get it, JARV IS is a play on words and the name of given to Pulp frontman and founder Jarvis Cocker’s latest outfit. Cocker still is releasing new material. He still is an exuberant and energetic performer. He still is wearing those glasses. And still is very good.

Edinburgh International Festival 2019: Breaking the Waves, Scottish Opera/Opera Ventures review - great film makes a dodgy opera

★★★ BREAKING THE WAVES, EDINBURGH FESTIVAL Great film makes a dodgy opera

Lars von Trier's terrifying Passion is reduced to another sacrificial-woman opera

Love him or hate him, Lars von Trier has time and again made the unpalatable and the improbable real and shatteringly moving in a succession of great films. Breaking the Waves set an audacious precedent. Baldly told, it's a story of a mentally ill, deeply loving woman at odds with her Hebridean community who thinks she can save her paralysed husband by having sex with strangers and describing the acts to him.

Making new waves: Royce Vavrek on forging a libretto from Lars von Trier

FIRST PERSON: Royce Vavrek on forging a libretto from Lars von Trier's 'Breaking the Waves'

Missy Mazzoli's collaborator on their new operatic version of 'Breaking the Waves'

It was during the 1997 Golden Globe Awards telecast that I first caught a glimpse of the film that would change my life completely. Midway through the ceremony was featured a short clip of a paralysed man telling a young woman, his wife, to go and find another man to make love to. She was to come back to him and tell him about her sexual encounter. “It will feel like we are together,” he says.