Kendrick Lamar is so breathlessly revered it’s sometimes hard to pull apart what’s going on in his records. It’s sometimes felt like he might become the rap game Radiohead: exploratory, aware, hugely technically accomplished, endlessly thematically “important” – but not actually that interesting to listen to.

Fifteen years after John Carpenter scored a massive box-office hit with his ingenious low-budget sci-fi thriller Escape from New York (1981), he was given a free rein to make Escape from LA. Unfortunately, unlimited access to extras and all the toys available in the special-effects cupboard in 1993 didn’t make for a better movie. 

Radiate Like This is the first album in six years from American indie rock outfit Warpaint. The wait is, in part at least, down to Covid, which took hold just after they’d finished early recording sessions, forcing the band – like the rest of the world – into a solitary stasis of sorts.

Danya Taymor’s production of “Daddy” A Melodrama has a huge exuberance: a tour de force in itself, it's also a scintillating introduction to the work of Jeremy O Harris. The young American dramatist earned considerable attention, and acclaim for the acuity of his investigation of race issues, for his 2018 Slave Play, but it's this earlier piece, written when Harris was in his mid-twenties, that reaches London first (after a two-year Covid delay).

What the [expletive deleted]?

Speed in an ambulance? Gone In 60 Seconds meets Heat? Reports that Michael Bay’s lockdown-shot LA film would be an intimate, “character-based” drama don’t survive contact with the director’s high-concept, high-velocity MO.

This record is a heck of a metatextual experience to listen to. In releasing his debut album, 24 year old Finneas O’Connell is attempting to step out of the shadow of one of the biggest pop cultural behemoths of our time – his own sister, Billie Eilish, who he also writes and produces for – and mark out a creative lane of his own. And he’s documenting this in many of these songs, which touch repeatedly on his experience of fame, struggles with identity and the like.

Lindsey Buckingham was last in and first out of Fleetwood Mac’s classic line-up (quitting in 1987, and forced out by long ago ex- Steve Nicks in 2018).

Willow Smith has done more during her life than the average 20-year-old. The daughter of Will Smith and Jada Pinkett-Smith, she bounced off her childhood appearance in her father’s film I Am Legend to a No 2 UK hit with “Whip My Hair” a decade ago, and has since released a bunch of music.

For 25 years now, LA label Stones Throw records has become one of the most reliable brands in music. It began with, and has always been associated with, the leftfield hip hop of founder George “Peanut Butter Wolf” Manak, and regular contributors Madlib and J Dilla.