Liam Gallagher knows exactly how "fucking fantastic… and fucking shit I am", and proceeds to tell us so for 85 minutes. This 10-year documentary project came about as a result of director Charlie Lightening’s friendship with Gallagher, formed as Oasis came to a predictable halt.

Omer Meir Wellber may be the first chief conductor of a major orchestra to have begun his tenure with a children's concert.

Eric Coates: Orchestral Works, Vol. 1 BBC Philharmonic/John Wilson (Chandos)

A 55-minute set without an encore. Songs bleeding into each other. No announcements, no talking from the stage. A constantly moving frontman seemingly channelling a yen to merge Merce Cunningham moves and tai-chi. A band who, barring the odd grin from one of the guitarists, focus on what they are doing without expression. An absence of “please-like-me” posturing.

The theremin is still a relatively rare visitor to concert halls, particularly in a solo role, but Carolina Eyck is changing that. Her instrument, invented by Lev Termen just 100 years ago, is a relatively simple piece of kit – a tone generator controlled by the player’s hands, which never touch it but rather appear to be conjuring sound out of thin air.

Everyone’s doing Weinberg now, or so it seems. The Polish-born composer who became a close friend of Shostakovich was born 100 years ago, and there’s plenty of his music to go round.

Light Falls is the sixth play that I have written for the Royal Exchange theatre in Manchester and the fourth that its outgoing Artistic Director, Sarah Frankcom, will direct.

Mahler’s Fifth Symphony is a repertoire piece nowadays, probably as familiar to as many listeners as to orchestral players, which means you look for something distinctive in any performance to identify its essential quality against all the others.

Changes from the artists originally advertised can bring some happy discoveries. Sir Mark Elder, though present in the audience to hear last night’s Hallé performance at the Bridgewater Hall, was still recovering from surgery and so did not conduct it, as he’d planned to when the season was announced. Instead, the Hallé Youth Orchestra’s music director (and noted choral director) Ellie Slorach took the baton for the first work in the programme – Weinberg’s Rhapsody on Moldavian Themes.