overnight reviews

Thanks for Having Me, Riverside Studios review - snappily performed comedy with a lightweight core

★★★ THANKS FOR HAVING ME, RIVERSIDE Snappily performed comedy with a lightweight core

Writer-actor Keelan Kember floods the stage with a torrent of gags but few ideas

Keelan Kember’s play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education, Red Pitch), but it’s more accurately a showcase for the comedic talents of Keelan Kember, a former OUDS performer with a TV pilot to his credit already. This 70-minute piece looks like another one.

Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - stomping, dancing, magical Vivaldi plus

Norwegian violinist and composer gives a perfect programme with vivacious accomplices

A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and some of his own music at the head of a mine in Svalbard: he was announced at the beginning of the concert as the Irish Chamber Orchestra’s new artistic partner, following the likes of another instrumentalist-composer, Jörg Widmann, and fellow violinist Thomas Zehetmair. So did he triumph? Beyond wildest expectations.

theartsdesk on Vinyl: Record Store Day Special 2025

What Record Store Day exclusives are available this year?

Record Store Day 2025 is tomorrow (Saturday 12th April 2025)! At theartsdesk on Vinyl we’ve been sent a selection of exclusive RSD goodies. Check the reviews. Then check your local record shop! See you amongst it.

THEARTSDESK ON VINYL CHOICE CUT FOR RECORD STORE DAY APRIL 2025

Marianne Faithfull Burning Moonlight EP (Decca)

Sad Book, Hackney Empire review - What we feel, what we show, and the many ways we deal with sadness

★★★★ SAD BOOK, HACKNEY EMPIRE What we feel, what we show, and the many ways we deal with sadness

A book about navigating grief feeds into unusual and compelling dance theatre

Who goes to the theatre to feel sad? That is, knowing full well that they won’t be going home with a skip in their step. Many people, it would appear, given the success of a small touring dance show based on a book by the poet and broadcaster Michael Rosen.

The Amateur review - revenge of the nerd

Remi Malek's computer geek goes on a cerebral killing spree

In a world of macho super-achievers like Jack Reacher and Ethan Hunt, maybe it’s time to hear it for the nerdy guys. The Amateur (based on a novel by Robert Littell) was made once before, in 1981, starring John Savage and Christopher Plummer and directed by Charles Jarrott. For this sleek remake, the director’s chair is occupied by James Hawes, who, among other things, directed the first series of Apple TV’s Slow Horses.

Holy Cow review - perfectly pitched coming-of-age tale in rural France

★★★★★ HOLY COW Perfectly pitched coming-of-age tale in rural France

Debut feature of immense charm with an all-amateur cast

Director Louise Courvoisier has put herself firmly on the film map with this story of young Totone and his little sister, carving out a living in the modern-day Jura countryside after being orphaned. Think the Dardenne  brothers with more sunshine and less angst, a way of life where young calves are transported to market in the front seat of the family car.

LSO, Noseda, Barbican review - Half Six shake-up

★★★★★ LSO, NOSEDA, BARBICAN Adrenalin-charged presentation of a Prokofiev monster

Principal guest conductor is adrenalin-charged in presentation of a Prokofiev monster

Tired after a hard day at the office? You might think you need a Classic FM-style warm bath, but the blast of Prokofiev’s Second Symphony, one of the noisiest in the repertoire, is the real ticket to recharging the batteries. Gianandrea Noseda, on the latest stage of his bracing journey through the composer’s symphonies and embracing the London Symphony Orchestra’s hugely popular Half Six Fix series, served it up with panache both in word and deed.

Primal Scream, O2 Academy, Birmingham review - from anthems of social justice to songs of heartbreak

★★★★ PRIMAL SCREAM, 02 ACADEMY, BIRMINGHAM From anthems of social justice to songs of heartbreak

Bobby Gillespie and Andrew Innes aren’t ready to join the heritage circuit yet

Bobby Gillespie and Andrew Innes may have been steering the good ship Primal Scream for some 40 years but, on the evidence of this week’s visit to Birmingham, they are in no way ready to join the heritage circuit – banging out the hits exactly as they were recorded – just yet.