Sharks were formed in 1972 by bassist Andy Fraser after he left Free. There were two albums, line-up changes and ripples which resonated after the band spilt in 1974. A 2017 reunion album featured former Sex Pistol Paul Cook on drums. “Sophistication,” from Sharks' 1974 second album Jab It In Yore Eye, had an insistent riff Mick Jones repurposed for The Clash's “Should I Stay or Should I go.”

Ro first saw Fat Dog, before anyone had heard of them, at the Windmill in Brixton in front of a crowd of about 25 people. Their manic energy blew her head off. Vanessa and Al K first caught Fat Dog at the Rockaway Beach Weekender in Bognor Regis Butlins in January ’24. The tightly choreographed, manic show was the best thing all weekend.

George Gershwin called one of his early classic songs, first created by Fred and Adele Astaire, “Fascinating Rhythm”. It was that mesmeric pull that propelled last night’s Royal Festival Hall Concert from the Philharmonia and its principal guest conductor, Marin Alsop.

I always advocate in favour of more sci-fi plays, and over the past decade there have been a gratifying number of them. But one essential element of any futuristic fantasy must be its power to convince. And it is precisely this that is missing from Lauren Mooney and James Yeatman’s More Life, currently in the studio space of the Royal Court.

In his first weeks in office, Harrison Ford’s US president survives an assassination attempt inside the White House, goes to war with Japan and mutates into Red Hulk when he gets mad, trashing said White House with a Stars and Stripes flag-holder. How unrealistically reasonable this looks, you may wistfully think. If only Ford, or a 10-foot monster, was in charge.

Russia.

Does any living composer write better for choirs, or more demandingly when circumstances allow, than James MacMillan? Admirable as it is to have extant words and music for a music-drama, morality play, call it what you will, by medieval pioneer Hildegard of Bingen, her imagining of a soul torn between virtues and Satan is inevitably one-dimensional. MacMillan finds variety and surprises in response to her text at ever turn of this 80-minute epic.

Ridley Scott’s 2001 film Black Hawk Down was a technically superb blockbuster bristling with thunderous action sequences and famous actors, though its gung-ho depiction of the heroics of American special forces during the appalling Somalian civil war always felt a little uncomfortable.

Playwrights who work for decades often acquire a moniker. In the case of Howard Brenton, who began his career as a left-winger in the turbulent 1970s, the name is The History Man. Over the past decade, or so, he has written brilliantly about historical figures such as, among others, Anne Boleyn, Charles I, Lawrence of Arabia – and many more.