As artificial spaces, clubs struggle to embrace the organic environment. The music and arts collective Noise of Art are bridging the gap by working with the charity Trees for Cities, with DJs donating their time to raise funds for planting trees in London. On 17 September, Noise of Art is working with Trees for Cities at Battersea Park and taking over the Village Underground for a fundraising event.

We’ve long grown used to culturally themed opening ceremonies for big sporting events, but when New Zealand and Tonga come together this morning for the first match in the Rugby World Cup 2011, there won’t just be singing and dancing in the pre-match jamboree, but in the actual game as well.

The Swiss-born Sicilian tenor has died, far too young at the age of 43, 10 days after an accident on his Vespa. He was one of the best and most stylish of his rare breed, even if the scrummage to find an heir to Pavarotti sometimes pushed him into a corner. I'll not forget his Alvaro in Verdi's La forza del Destino at Covent Garden: here after so long was another true Italian tenor with a golden middle range who could at least act with his voice.

On 9 September theartsdesk, Britain's first professional arts journalism site, will be two years old. To celebrate we’re holding a live debate with four leading performers during the Kings Place Festival. An actor, a singer, a dancer and an instrumentalist will share their different experiences of performance. Join us, live or online, for a stellar event.

It’s the new(ish) big jazz venue, and it’s in, of all places, the wilds of Canary Wharf. It's curious, and encouraging, that anyone has the nerve to open a large new jazz venue anywhere, and in the midst of economic gloom, but they have. The venue for music is the size of Ronnie Scott’s but it is more than a mere music venue – it’s a good-quality restaurant with a cigar bar, a terrace (handy for smokers) and a huge whisky bar - an “amber wall of liquid gold” as they charmingly put it, from £5 to £2,500 for a Macallan 1937 double shot.

It’s competition time again. Last month we featured ELF’s Reflections, a new release on Nimbus showcasing the unusual and possibly even unique combination of horn, piano and flute. We have a number of copies of the CD to give away. All you need to do is answer the questions correctly and your name will go into the hat.

The winners of the 2011 Foster's Edinburgh Comedy Awards have been announced. The main award, worth £10,000, went to Adam Riches for his anarchic and intensely physical show Bring Me the Head of Adam Riches; the best newcomer award, worth £5,000, went to Humphrey Ker for Dymack Watson: Nazi Smasher!, a tall tale woven from his grandfather's real-life wartime exploits as an intelligence officer sent behind enemy lines.

The special panel award, also worth £5,000, went to The Wrestling, a one-off event during which 20 comics engaged in wrestling bouts with professional wrestlers.

The former Soviet head of state Mikhail Gorbachev was a ubiquitous presence in the British news last week, wheeled out for the 20th anniversary of the dismantling of the USSR. The anniversary, though, is not just about what went on within what is now Russia or at the Berlin Wall. Last night saw 70,000 gather in the Estonian capital Tallinn for the Song of Freedom event, to mark the country's split from the USSR.

Waiting for a plane has rarely been an amusing, surprising and enjoyable experience - unless a girl takes a flute out of her hand luggage and starts playing Ravel's Bolero. Ignore it, perhaps, but then a man going by pulls a clarinet out of his case and joins in. And then one notices the tapping sounds emerging from the soporific airport buzz. A bloke wheels up a drum on a trolley. Before people know it, they're witnessing a full-blown performance of Torvill and Dean's signature tune played by the Royal Scottish National Orchestra in front of their startled eyes.

At the start of September, the fourth Outlook Festival takes place in a 19th-century fort on the Croatian coast. Already this festival has become a vital point in the calendar for those involved with dubstep, grime and other UK underground scenes – not only a jolly in the sun (“dubstep's Ibiza”), but the one time in the year when everyone involved takes a break from international touring and comes together in the same place, a time to compare notes and take stock of the progress.