News, comment, links and observations

Arts Council spared - but UK Film Council is to go

Film quango doesn't pass Jeremy Hunt's test for usefulness

The Arts Council of England has escaped the government axe - unlike the UK Film Council. Reports over the past week or two paint a grim picture of diminishing arts budgets in Scotland, Wales and England while the Conservative-Lib Dem Government takes its machete to what it considers the fat in public spending.

The ACE is already implementing a £23 million cut in its 2010-11 budgets originally set at £468 million - £4million ordered last year in Darling's budget, another £19million now. Detailed budgets for supported arts organisations will become clearer over the autumn.

Verbier remembers Anthony Rolfe Johnson

England's golden tenor remembered in Swiss mountain festival

Somehow I hadn't expected the death three days ago of the great British tenor, though unquestionably a world-class artist, to be commemorated among the international set of the Verbier Festival. Yet last night, before he raised his baton to conduct the Verbier Festival Chamber Orchestra, conductor Marc Minkowski had a few words to say about Anthony Rolfe Johnson. His mezzo-soprano, the glorious Anne Sofie von Otter, especially wanted to dedicate her performance to a dearly loved friend and colleague.

Place your bets for the Mercury Prize

William Hill have announced their odds for the Mercury Prize, whose short list was announced yesterday. What's worth a bet?  Seems unlikely Dizzee Rascal will win it again, and some of the less well known artists like Kit Downes are token presences. Paul Weller is in with a shout (even if theartsdesk wasn't impressed with his new album, although we quite liked his live show) likewise The xx (mixed reviews here, and here), and Mumford and Sons (click for live review and CD review) but our money is on Corinne Bailey Rae (read interview here and review here).

Brighton Photo Biennial gets an above-Parr treatment

Brighton Photo Biennial launched

The fourth Brighton Photography Festival (BPB) has been launched amid dramatic economic hardships, but my money is on it being a roaring success. It will put Brighton on the map as somewhere other than a gay clubbers’ delight and a hen-party hub. The reason for my confidence? The guest curator, Martin Parr. He's a Zelig-like character who spends his life dropping into every photo festival around the world and is the best-known UK photographer on the international stage today, his reputation made through his controversial high-colour documentary photographs and the touring exhibition Parrsworld, which is fed by his collector’s bug.