Coming from a thriving East London improvisation scene, "aquatic Krautrock experimentalists" Snorkel have made a logical step forward and released a single that was entirely recorded in one, improvised take. We are very happy to present here in its full ten-and-a-half minute glory the video of the recording, as well as a free download of a remix by Crewdson of another track from the session.

James Corden (One Man, Two Guvnors) made it past the finish line, Tracie Bennett (End of the Rainbow) did not, and the art-house musical Once trumped Disney’s latest Broadway entry, Newsies, at the 66^th annual Tony Awards in New York last night. The ceremony, honoring the best of the Broadway season just gone, was available in real time to nocturnally minded London theatre folk, who could watch the CBS gala streamed live on the web.

There’s a lot of art currently happening under the wing of the London 2012 Cultural Olympiad. The common denominator, if there is one, is showstopping ambition and the concept of the inclusive spectacle. What there isn’t much of, whisper it softly, is art inspired by sport.

It wouldn't have been theartsdesk's pick of the pops, but ITV1's Fred West drama Appropriate Adult had a great night at the BAFTA Television Awards. Dominic West took Leading Actor, Emily Watson was Leading Actress, and Monica Dolan completed the hat-trick by taking Supporting Actress. This spelt disappointment for Benedict Cumberbatch's portrayal of Sherlock, but all was not lost since Andrew Scott (who played Moriarty) took Supporting Actor, while Sherlock's co-creator Steven Moffat was delighted to win the Special Award.

The death of Robin Gibb was announced last night. He had been diagnosed with cancer following surgery for a blocked intestine in 2010, when it was discovered that he had cancer of the colon. This April, it was announced he had contracted pneumonia. His death leaves brother Barry as the only surviving Bee Gee.

Being pigeonholed as "disco" became the kiss of death for many of the genre's lesser lights, but a select handful were able to transcend its limitations. Chic and the Bee Gees managed it, and so did Donna Summer, disco's so-called "First Lady of Love" whose career stretched over four decades. Having hooked up with Giorgio Moroder to help define the hypnotic, hedonistic message of disco, Summer was subsequently able to embrace pop, rock and gospel music. Her powerful, soulful voice lent conviction wherever her musical explorations led her.

The 65^th edition of the Festival de Cannes opens today, with Wes Anderson’s latest slice of leftfield whimsy, Moonrise Kingdom, and continues for almost two weeks of frantic film-going, star-spotting, wheeler-dealing and beach partying. For these days in May a usually somnolent seaside town becomes the cinema city that never sleeps.

One day soon Beatles scholars and Professors of Fabology will emerge from their caverns and their ashrams to inform us that it was 50 years ago today. On 5 October 1962 “Love Me Do” was released and, to recycle a phrase often appended to lesser earthquakes, the world would never be the same again. There will be celebrations, doubtless, across the universe. Tribute bands will perform bootleg gigs in the likes of, probably, Indonesia and the Baltic, all booted and suited and moptopped up and harmonising like the Everlys etc etc.

It's hard to process the news that Adam "MCA" Yauch of the Beastie Boys has died - even though he had been fighting cancer since 2009. The Beastie Boys seemed to mirror my youth: exploding into the public eye just as I hit adolescence, they were the epitome of bratty rebellion for my generation, but also led us to their Def Jam labelmates Run DMC and LL Cool J, and thus into hip-hop culture as a whole.

Welcome to our second show, brought to you again from the Red Bull Studio in London where it was recorded by Brendon Harding.