The cheaply made experimental exploitation indie Dementia (1955) is one of those footnotes in movie history that makes cultists salivate.
After Bassam Tariq's feature debut These Birds Walk was released at SXSW 2013, things seemed to slow down. The documentary about a runaway boy in Pakistan garnered strong reviews, but soon Tariq was working in a New York butchers pondering his career. However, the film did catch the eye of someone: Hollywood star Riz Ahmed.
If you’re after a relaxing Sunday watch, Fyzal Boulifa’s Lynn + Lucy is not the one. It begins as a story of old friends in a small town and ends as a complex and uncomfortable tragedy.
Unsurprisingly, there’s a lot of pleasure to be had watching Stanley Tucci and Colin Firth as a mature couple pootling around the UK in their humble camper van. They bicker about the satnav voice, argue the merits of the shipping forecast, and both give such convincing performances that you’d think they’d been together for decades.
Yasujirō Ozu’s The Flavour of Green Tea Over Rice and Tokyo Story were released in 1952 and 1953 respectively. Tokyo Story regularly features in critics' Top 10 lists and was voted Best Film of all time in a 2012 poll of film directors in Sight & Sound magazine.
British director Fyzal Boulifa makes his feature film debut with a bruising account of female-friendship torn apart by personal tragedies and gossipmongers, on a council estate in Harlow.
Ten years in the making, Thomas Clay’s third feature, starring Charles Dance and Maxine Peake, is a remarkable and potent example of genre-splicing British independent filmmaking.
The Pet Shop Boys' film It Couldn’t Happen Here, originally released in 1988, has been given a new outing on a BFI Blu-ray/DVD that contextualises it with special features. While it's an entertaining snapshot of a particular time in British and pop history, and while I don’t wish to be churlish, that's about as far as it goes.
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema.
Equally ambitious in scope as his 900min ode to cinema The Story of Film: An Odyssey, Mark Cousins’ latest work, Women Make Film, is a fourteen-hour exploration of the work of female film directors down the decades.