Question and answer interviews

Q&A: Director Terence Davies on The Deep Blue Sea

As Rattigan's centenary closes, the film director talks of transplanting him to the cinema

The trajectory of Terence Rattigan’s standing finds two peaks separated by a deep trough. From the late Thirties to the mid Fifties, he gave a voice to a social class which liked to keep its feelings under lock and key. Then in 1956 Rattigan was occluded by the dazzling verbal incontinence of Jimmy Porter. In 1991 a production of The Deep Blue Sea at the Almeida starring Penelope Wilton rebooted his reputation.

Q&A Special: Director Mike Mills on Beginners

MIKE MILLS ON BEGINNERS: His mother died and his father came out: the film-maker on the beguiling movie that resulted

His mother died and his father came out: the film-maker on the beguiling movie that resulted

At Thanksgiving in 1999, a 75-year-old retired widowed museum director came out to his family. He had only recently been widowed after a marriage lasting more than four decades. One of the people to whom he broke the news was his son Mike Mills, then in his early thirties and not yet a film director. This year the movie inspired by that moment was released, and it now appears on DVD.

theartsdesk Q&A: Singer Gregory Porter

The jazz vocalist talks stagecraft, storefront churches and singing alone

Born in Los Angeles, raised by his mother in Bakersfield, and now living in the Bedford-Stuyvesant area of Brooklyn, Gregory Porter's resonant baritone is one of music's wonders. Porter's Grammy-nominated debut album, Water, has earned him praise from critics and fellow artists alike. Released in the UK in April this year to coincide with his appearance on Later... With Jools Holland, Water leapt to Number One in both the UK's iTunes and Amazon charts.

Interview: Roy Haynes, Jazz Drumming Giant

ROY HAYNES: The 86-year-old jazz drumming legend reminisces, from Satchmo to now

The 86-year-old jazz legend reminisces, from Satchmo to now

The man who played with everyone, Roy Haynes earned his Lifetime Achievement Award at this year’s Grammys, in a career even his 86 years hardly make credible. He was 21 when he got the call to drum for Louis Armstrong in 1946. He was at the drum stool as Billie Holiday played her last club gig, crying at the pain of her dying body. Charlie Parker, John Coltrane, Thelonius Monk, Miles Davis, Archie Shepp and Pat Metheny are among the names who’ve enjoyed his sympathetic touch.

Q&A Special: Ballet Guardian Tony Dyson

It's been a tricky thing to devise the preservation of ballet genius Frederick Ashton's works, as his heir explains

On Saturday one of the master ballets of the Royal Ballet genius Frederick Ashton returns to the Covent Garden stage, Enigma Variations. Its owner is an architect, one of Ashton’s last friends, and one of the handful to whom the choreographer left the small number of ballets he felt would be of financial benefit to them when he died in 1988. But as time goes by, those ballets' ownership passes on to others, and worries have been mounting about their vulnerability in an art form written in ephemerality.

theartsdesk Q&A: Singer-Songwriter Feist

FEIST Q&A: The Canadian star talks modernity, the music industry and making her latest album, Metals

The Canadian star talks modernity, the music industry and making 'Metals'

Nova Scotia-born Leslie Feist is the very model of a 21st-century artist: independent in spirit yet able to work the mainstream industry to her advantage, technologically savvy and au fait with all the means to build and sustain a profile and sales while still maintaining some sense of artistry and dignity.

theartsdesk Q&A: Musician Cosmo Jarvis

Devonian polymath chats about gay pirates, guerrilla film-making and the struggle for recognition

Cosmo Jarvis (b 1989) was born in New Jersey but grew up in Devon. He has produced two albums, Humasyouhitch/Sonofabitch (2009) and Is The World Strange or Am I Strange? (2011), that combine incisive lyricism, goofy humour, rap, rock, terrace-chant choruses, studio orchestration and an unlikely fusion of musical styles, sometimes more jovially eccentric than hip. His highest-profile song is "Gay Pirates", a musical hoedown about love on the high seas that garnered Stephen Fry as a vocal fan.

Interview: Errol Morris on making Tabloid

ERROL MORRIS ON MAKING TABLOID: The director enters the strange world of Joyce McKinney

The director enters the strange world of Joyce McKinney

When the former Miss Wyoming, Joyce McKinney, walked towards UK Customs in 1977, she had a perfect tabloid story in her bag: handcuffs, a Smith and Wesson pistol, and a burning desire to rescue the love of her life from the Epsom Mormons. One of her American accomplices, KJ May, attracted by her newspaper ad - “Big Adventurous Dude Wanted” for a “Free Trip to Europe!” - and tendency to open the door in transparent blouses, stuck with her long enough to help spirit that love, Kirk Anderson, away to a Devon cottage.

theartsdesk Q&A: Actor Tom Hollander

TOM HOLLANDER Q&A: The co-creator and star of Rev on the role of a lifetime

The co-creator and star of Rev on the role of a lifetime

A few years ago something curious happened to Tom Hollander. He grew up. As a brilliant young actor he won the Sunday Times Ian Charleson Award for a series of stage performances whose governing tone was mercurial energy. But as he moved into film, the sense was of an actor who was more eager to be noticed than believed. In the past few years, however, he has found a vulnerable side, as a hapless government minister in In The Loop and most recently as a minister of the church, the Reverend Adam Smallbone. This week sees Rev’s second coming.

theartsdesk Q&A: Musician Judith Owen and Actor Harry Shearer

JUDITH OWEN & HARRY SHEARER Q&A: Montgomery Burns and Ruby Wax's best friend talk heavy metal, politics, and falling in love over Mojitos

Montgomery Burns and Ruby Wax's best friend talk heavy metal, politics, and falling in love over Mojitos

You may know Harry Shearer better as Montgomery Burns from The Simpsons. His wife, Judith Owen, is as well known for her recent stage show with Ruby Wax, Losing It, as her own albums. But though they may have limited street recognisability, in the three cities they call home they are legendary for their hospitality. theartsdesk sampled some of this warmth in their London residence where, over tea, we discussed, amongst other things, dwarf choreography, mental illness and hanging out with Metallica.