It has been claimed by a good many commentators over the years, that an album of cover versions suggests that an artist is running out of steam and inspiration. Jazzers normally get a pass on this one as they are far more inclined to improvise rather than merely copy – but where does this put Chan Marshall and her Cat Power outfit, a quarter (or so) of whose recorded output is cover versions?

Disclaimer: it’s a little unfair I’m reviewing Kiefer Sutherland’s third album. He seems alright, left-ish for an American, done his time in the bad boy lane, sense of humour, tried his hand at this and that, even as a rodeo-rider, and has entertained plenty onscreen. Although I’d never heard his music until this month, I knew he’d played everywhere from the Grand Ole Opry to far-flung Glastonbury marquees.

A Life in the Day is the second album from Bed Wetter, nom de plume of DJ, producer and experimental artist Geoff Kirkwood.

So, it’s been another world-beating year. Known unknowns and unknown unknowns – at least two people have set Donald Rumsfeld’s 2002 Pentagon musings to music, and I’m sure I’m not alone in finding his words rather useful. Indeed, it’s not hard to imagine Bob Dylan writing something similar, back in the day.

I think that it would be fair to assume that Angus Stone likes the odd toke on a big, fat joint. Certainly, the music of his alter ego Dope Lemon has been infused with a hazy, hippy, laidback groove throughout both his previous albums, Honey Bones and Smooth Big Cat, and his latest release is no different.

After watching so many gigs through a computer screen, it was a joy to hear live music again in familiar haunts – from Ronnie Scott’s and the Southbank to Grand Junction, Paddington – in 2021. It made you appreciate anew not only the high-wire artistry and unfolding musical conversations happening on stage, but also the collective thrill of that shared "in the room" experience.

If ever there were a year to cherish new music, 2021 was it. Lockdown v3.0 came with unwelcome updates (shit weather, structured home-schooling) and the only end in sight was of the nation’s collective tether.

It was two female artists who mainly soundtracked 2021 for me. And they couldn’t be more different. Although Off Off One by Kate Stables (aka This is the Kit) was recorded just before Covid changed everything, there are some ominous mentions in the lyrics of infection, coughing and hospital. But we’re not dealing with something maudlin or doom laden here, far from it. There’s a sly wit and quietly surreal joy to  Stables’ gorgeously melodic pop songs. Yes, ‘pop’ not ‘alt folk’ or whatever the critics call it.

Has there ever been a time when the music industry has had its gaze quite so firmly fixed on the past? Once the streaming stats started giving the message that revenue growth was going to come from back catalogues rather than current releases or new artists. all it took was a few back-of the-envelope DPV calculations, and humungous dollops of cash have been landing in the laps of Dylan, Paul Simon, Springsteen...and companies like Hipgnosis have raised more fistfuls to participate in the gold rush, and to ensure that it is prolonged.

Three films, each restored to glorious 4K, make up Second Run’s Hungarian Masters set. Billed as “essential works by three of Hungarian cinema’s most renowned filmmakers”, each film earns that praise in its own way.