Despite the silly name, the pigtails, the propensity for cutesy posing with ice cream and candy, and of course the title Bubblegum all playing with ingenue tropes, Biig Piig – or Jessica Smyth – is a serious proposition. Irish born, partly Spanish raised, now resident in both London and LA, she’s been in the public eye since her songs started clocking up millions of streams in her late teens, and she seems to have quite a good grasp of where she’s going.

John Cale has always walked a cutting-edge. At 80, he is still making music that stretches the mind. He is accompanied on his most recent album by a number of talented and original ground-breakers from both sides of the pond – from the eccentric and pure voice of Natalie Mering (aka Weyes Blood) to the Stockhausen-flavoured explorations of Actress, the psychedelic anarchy of Animal Collective to the avant-pop sweetness of Tei Shi.

Quentin Tarantino’s is the first voice you hear in Reservoir Dogs (1992), riffing on Madonna’s “Like a Virgin”. The gang of fellow robbers we see gathered round his character all talk like versions of the obsessive ex-video store clerk at times, rapping pop culture opinion and relishing pungent language.

After a few listens, the second album from Evan Uschenko’s musical alter-ego Ghost Woman increasingly resembles something which could have emerged from the early Eighties Los Angeles scene dubbed the "Paisley Underground". However, this does not seem to be what Canada’s Uschenko is aiming for.

As second-wave feminism vouched in the late 1960s, the personal is political. For Billy Nomates, the moniker of Sleaford Mods-approved musician Tor Maries, that sentiment is rife.

What do power-poppers do when they get older and return to the fray after an eight-year lay-off? If they’re the Subways, they recruit a new drummer, invest in a synthesiser and add some alt-rock sounds to their repertoire.

Time’s Arrow is electro goths Ladytron’s seventh album since the late Nineties and marks their post-Covid re-emergence into the modern dystopia that is our seemingly never-ending, Brexit-damaged Tory Britain. However, while it isn’t an album that’s full of the joys of spring exactly, it does nevertheless attempt to reach out for at least some optimism in these difficult times.

Iggy Pop is one of rock’s great survivors but his fans are divided into two categories; those who claim he hasn’t done anything worthwhile since the late-Seventies and those, like this writer, who find much to enjoy, right up to the present.

The recently-departed director Mike Hodges was one of our most underrated filmmakers. Along with Get Carter (1971), a dark story of revenge starring Michael Caine, Croupier (1998) – newly released on 4K Ultra HD – is one of the most fascinating and superbly crafted films of late 20^th century British cinema. It’s so good, at many different levels, that it bears watching over and over again.

Perfect timing for the release of Lucas Santtana’s new album release. The return of Lula to the presidency of Brazil has been received with a surge of optimism and joy. We have witnessed the end of Bolsonaro’s corrupt, opportunistic and authoritarian years, in which the Amazon forest was opened up further to those who would destroy it, along with the indigenous people who struggle to survive against the depredations of greed.