For Brits below a certain age Leo Sayer is the curly haired middle-aged chap who swearily walked out of the Celebrity Big Brother house in 2007 and disappeared. However, for those around in the 1970s his diminutive dancing form, ever-ready grin and wild coiffure were a constant presence as he had pop hit after pop hit, notably the contagious, disco-friendly “You Make Me Feel Like Dancing”.

Three albums in, and Vampire Weekend were due a shake-up. Enter Father of the Bride, by far their most ambitious record to date. It’s an 18-track behemoth featuring 14 musicians and six different producers, spanning from folk to jazz. It may be a bit kitchen sink, but it’s also their most exciting release since their eponymous debut.

Editors’ last album, the electronic-infused Violence, was hailed as a big departure for the indie rock band on its release a little over a year ago.

On his second album, Swedish star DJ Kornél Kovács has achieved the impossible and made “tropical house” interesting. Somehow, he's taken every cliché of that slow, lilting pop dance sound Drake and lifestyle influencers Instagramming from pristine beaches and tweaked them to find unexpected strangeness and depths.

Look behind the lyrics of some of P!nk’s biggest hits, and you’ll see that those powerhouse vocals and big pop-rock choruses have always been used to distract from a certain vulnerability. But even by that standard, eighth album Hurts 2B Human might be her most plainspoken yet, with frank songs that tackle therapy, anxiety and motherhood nestled amongst the pop juggernauts you’d expect from an album that counts Max Martin, Shellback and Greg Kurstin amongst its cast of contributors.

Suede finish “Sabotage”. It’s a mid-paced, elegant number set off by swirling, circling central guitar. Frontman Brett Anderson hangs from his microphone stand on the left apron of the stage to deliver it, with the lights down low. Afterwards he paces back to his bandmates, body taut, hair a-flop. He tells the audience he’s been involved in a long ongoing experiment; “standing in front of VOX AC30 amps for 30 years.” The resulting problem, he adds in a rising shout, “is that I can’t hear you.”

Pet Shop Boys are never shy of producing stylishly conceived fan mementos. Coming not long after Faber & Faber’s hardback collection of Neil Tennant’s lyrics, this four-disc set is just such a slice of lovingly rendered memorabilia. After well over three decades in the game – but one since they had a Top 20 hit song – the duo retain a devoted following, ever eager to invest in whatever they’re up to.

This year, says Gary Barlow, marks 30 years since five boys walked into a room in Manchester and auditioned for what would turn out to be the UK’s most successful pop act. It is fitting, then, that what they are billing as the Odyssey tour features 25 hits from across three decades - and more than a few callbacks.

Bananarama are one of the most successful girl groups of all time. Consisting of Sara Dallin and Keren Woodward, the band’s third original member Siobhan Fahey left in 1988 to form Shakespears Sister. The trio reunited in 2017 for a tour but new album, In Stereo, sees them back as the long-standing duo. The pair have been friends since their school days.

And then there were two... again. Following on from the Original Line-Up tour, Bananarama are back to the core duo of Sara Dallin and Keren Woodward for their first album in 10 years. If it is true that co-founding member Siobhan Fahey’s 1988 departure was due, in part, to the pop chops of 1987’s Stock Aitken and Waterman-produced Wow!, it might be just as well that she didn’t stick around this time. In Stereo is VERY pop.