Production gallery: Duke Bluebeard's Castle, ENO

Johan Persson photographed the frightening new production of Bartók's chiller

English National Opera's new production of Bartók's Duke Bluebeard's Castle is photographed here by Johan Persson. Directed by Daniel Kramer, designed by Giles Cadle and lit by Peter Mumford, it updates Charles Perrault's 1697 fairytale to a horrific modern reality. Clive Bayley and Michaela Martens sing Duke Bluebeard and Judith. See Ismene Brown's review.

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Duke Bluebeard's Castle/Rite of Spring, ENO

A masterly Bluebeard, where 'relevant' opera becomes revelant

There are horrors in the world so vile that few of us want to think about them. None more so than such cases as Josef Fritzl - or Jaycee Lee Dugard, or Arcedio Alvarez, or Raymond Gouardo, or Wolfgang Priklopil, or Marc Dutroux... but you get the picture. Cases where men abduct girls and turn them into sex slaves and father multiple children by them, often incestuously, hiding them in garages, basements, behind walls, sometimes for decades undiscovered, sometimes murdering them. Mostly you read that it happened, you shudder, and try not to think more about it.

Jennifer's Body

Megan Fox is hot. And evil. But mostly hot.

Blame it on the bloody menarche. The combination of schoolgirls and horror is so intoxicating it's a wonder there haven't been more films like Carrie, Suspiria or Ginger Snaps to exploit that tricky adolescent surge of oestrogen. So I'm sorry to disappoint you, but Jennifer's Body isn't worthy to be set alongside The Craft, let alone any of the aforementioned titles. It has all the ingredients for guilty pleasure - cheerleader transformed into man-eating succubus, high-school students played by actresses in their mid-twenties, girl-on-girl snogging, indie rock musicians who've sold their souls to the Devil, black goo vomiting and so on. And it fudges them, one by one.

Colin

Lawn of the dead: zombies in suburbia

You always know it's the witching season when squads of zombie and vampire flicks lurch into town to take bites out of your wallet. Creeping on the heels of Zombieland and Pontypool, this week's avatar of the former genre is Colin, a low-budget feature whose principal claim to fame is its budget, officially £45 (that would just about buy you eight copies of the DVD, which goes on sale on Monday). The question remains, though, whether the result is a treat or a trick, an instant lo-fi classic or a tacky gimmick that turns into a pumpkin at midnight.

Film: Thirst

Forget Twilight; Park Chan-wook puts the sex and violence back into the vampire movie

Just when you thought vampires had lost their bite, along comes Korean director Park Chan-wook with Thirst. It's a loose adaptation of Emile Zola's Thérèse Raquin in which the adulterous lovers also happen to be drinkers of blood. They suck, they fuck and they kill, and, in the event of a vampire death-match, they would surely make mincemeat out of a toothless teen idol like Edward Cullen. Twilight this is not.