Road Show, Menier Chocolate Factory

Flawed but fascinating, Stephen Sondheim's latest continues its ongoing journey

"Onward we go," the hearty but essentially hapless Wilson Mizner (David Bedella) remarks well into Road Show, the Stephen Sondheim/John Weidman musical that has been slow-aborning, and then some, since it first appeared in workshop form in New York as Wise Guys in 1999. Three titles and two directors later, the same material has been refashioned into the restless, always intriguing, fundamentally incomplete musical now at the Menier Chocolate Factory, the south-London venue whose Sondheim forays to this point (Sunday in the Park with George, A Little Night Music) have generally struck gold.

Win Win

Paul Giamatti turns cheerful against the odds in Tom McCarthy's film

Surely, any film called Win Win and starring Paul Giamatti is being deeply ironic? After all, you don't expect the hangdog star of Sideways and Barney's Version to do the feel-good Hollywood thing, and it seems of a piece with Giamatti's baleful, ever-defeated demeanour that a scene of him jogging along should end with the actor coming to a panting halt.

Betty Blue Eyes, Novello Theatre

Pork, power and a pungently tuneful score set Alan Bennett film singing

Foot fetishists will have a field day at Betty Blue Eyes, given that the producer Cameron Mackintosh's latest venture is also the first in my experience to sing of bunions, calluses and corns, the last encompassing a passing reference to a lyric from Oklahoma!: another show on Sir Cameron's CV. But the happy news is that musical enthusiasts will themselves find reason to cheer a defiantly homegrown entry that turns a comparatively little-known film (A Private Function) into a generous-hearted, eminently tuneful tribute to British decency and pluck.

Inside Job

You'll want your money back: the credit crunch story told yet again

Inside Inside Job is an interesting film struggling to get out. Sadly, one has to sit through two hours of Financial Meltdown 101 to see it. Narrated by Matt Damon in his serious voice (and if you're anything like me, you'll always be thinking of his Team America caricature), the film starts with the perfect glaciers of Iceland being ravaged as the free market takes its toll.

Wall Street: Money Never Sleeps

Gekko is back to take on the sub-prime kleptocrats

The long-delayed sequel has earned no more than a small, insignificant footnote in movie history. Psycho II, Gregory’s Two Girls and Texasville, to name only three disparate examples, were all superfluous post-scriptums to much venerated, much earlier films. There is at least a pretext for another trip to Wall Street. Since Gordon Gekko last blew the fumes of his fat Havana in your face, money has learnt to talk louder than ever.

The real reason Enron flopped on Broadway?

This week, after a performance of Enron at the Noel Coward Theatre, I chaired a Q&A session with director Rupert Goold, writer Lucy Prebble, actor Sam West and most of the rest of the cast. What no one in the room knew then, though Goold and Prebble would have, was that at 11pm EST the show’s Broadway closure would be announced for this Sunday, only two weeks after it opened on 27 April. Enron was famously a rare beneficiary of the credit crunch. Now, at least in America, it would appear to have become a victim of it. Why?

Enron, Noël Coward Theatre

A first-class play brings financial fraud to paranoid, gripping life

Crisis makes people hungry. In the case of the banking collapse, this seems to take the form of an ignoble itch for revenge, and a more laudable hunger for knowledge. What exactly happened and what went wrong? As Enron, Lucy Prebble's wonderful play about a previous financial scandal, roared into the Royal Court after its sell-out run at Chichester, there was time to reflect on just why this play has been such a huge success. And by success, I really mean success.

The World's Greatest Money-Maker: Evan Davis Meets Warren Buffett, BBC Two

Top investing tips from the Oracle of Omaha

If you’d invested a thousand dollars with Warren Buffett in 1965, your stake would have grown to more than than five million bucks today. If the UK had followed one of Buffett’s golden rules of investment – Don’t Get Into Debt – our clapped-out rust-bucket of a nation might now feel like a very different place. Buffett's take on debt is that "if you're smart you don't need it, and if you're dumb you've got no business using it," which Gordon Brown should have etched on the inside of his glass eye.

On the other hand, if everybody copied Warren Buffett’s diet, which consists of T-bone steaks, cherry Cokes, chocolate sundaes and peanuts – apparently he’s “uncomfortable with most vegetables” - most of them would already be dead or not feeling very well.

Evan Davis’s film about Buffett, the so-called Oracle of Omaha, was a gently quizzical piece of work about the man who slugs it out every year with his good friend Bill Gates for the title of Richest Man in the World. But somehow you felt – and the wry smile on Davis’s face suggested that he felt it too - that giant chunks of the jigsaw were missing from a story that seemed to suggest that you could become the wealthiest person on the planet by following a few commonsense rules and being polite to everybody. Though come to think of it, maybe not many have tried it.

Davis opened with scenes from the AGM of Buffett’s Berkshire Hathaway operation, his holding company which controls assets worth $267bn. Every year thousands of investors descend on Buffett’s home town of Omaha, Nebraska, and crowd into a local sports arena to see a film about the company’s performance and ask questions from the floor. The mood rarely turns ugly since Berkshire Hathaway has been returning annual profits of more than 20 per cent for decades. Then they go and eat steaks and burgers, and maybe get to hear Warren play his ukulele with a Country & Western band.

warren buffett bill gatesNobody speaks of ill of Buffett, except the people who got sacked by his hired hard man Harry Bottle after Buffett bought a Nebraska steel mill during the Sixties. Warren asset-stripped the company and sold the profitable bits, but apparently hated being unpopular so much that he vowed never to behave like a cartoon Wall Street capitalist again. Nowadays, all anybody will say about him is that he's a regular guy, he made them incredibly rich, he's the world's greatest investor, and they love him to bits. He gave $31bn to the Bill and Melinda Gates Foundation (Buffett and Gates pictured right) and believes that bankers don't deserve gigantic bonuses, so he's pretty well indemnified against accusations of rapacious fat-catism.

The closest anyone got to explaining how Warren accomplished all this was to say that "it was simple, but not easy." Apparently he read a couple of influential books at an early age, a thing called The Intelligent Investor and Dale Carnegie's How To Win Friends And Influence People, and he developed a knack for spotting undervalued shares and buying them for a pittance. Later he took to buying entire companies, often homely mom-and-pop operations in which he detected underlying value. His down-home charm and delightfully unthreatening manner often helped him to pay well under the odds. He also likes buying insurance companies, which offer large cash floats he can invest in other companies.

He once declared that derivatives, those dangerously unstable betting instruments that almost destroyed the global financial system, were "weapons of financial mass destruction", but Davis unearthed the intriguing news that Buffett now regularly trades in them, profitably of course. Since another of his golden rules is that you should only deal in things you can understand, that means folksy, homespun ol' Warren is not only a very smart bunny, but also an exceedingly dark horse.