One of the sadnesses of covid is that films like Judas and the Black Messiah have been held over for release in the hope that cinemas will reopen. Immersive, intense features like this deserve to be seen in a darkened theatre with no distractions. But as the pandemic drags on in the UK, distributors are forced to debut big films on the small screen and it’s a real shame in this instance. 

On Valentine’s Day 2011 Disc of the Day album reviews sprang into being, and has been solidly reviewing five albums a week ever since. Out of the many thousands, which ones did we rate the most? To mark 10 years since its inception, 12 of theartsdesk’s music writers mark the occasion by choosing an Album of the Decade. They appear in alphabetical order by writer.

Alt-J – An Awesome Wave – by Russ Coffey

CLR James came to London from Trinidad in 1932, clutching the manuscript of his first and only novel. He soon found work, writing about cricket for the Manchester Guardian, as well as a political faith, revolutionary Trotskyism, which would inspire him to set aside his literary ambitions for political activism. James would instead make his name as one of the finest intellectuals of the 20th century.

In 1964, Cassius Clay, NFL superstar Jim Nathaniel Brown, soul legend Sam Cooke and political firebrand Malcolm X gathered for one night in a dingy room at the Hampton Motel. It was a meeting that became a symbol of hope for black Americans. A photo, taken by Malcolm X would make the moment iconic, marking a shift away from the horrors of Jim Crow America to the passing of the Civil Rights Act. 

It is near impossible to imagine what the world would look like today if slavery and colonialism had never existed, let alone to write a book on the subject. Courttia Newland sets himself this daunting task in his latest novel, A River Called Time.

Among the glints of light in this overcast year, one particularly bright one has been the state of British soul music. Not just in the sense of good records released, although there’ve been plenty of those – but something significantly deeper: a contextualisation, an acknowledgement and a pride in the rich history and unique talents of these islands.

There was always bound to be a hint of melancholy watching George Wolfe’s Ma Rainey’s Black Bottom. Try as you might to focus on the film, you can never quite shake the fact that you’re watching the final performance of Chadwick Boseman, whose life was cut tragically short this year from bowel cancer. 

Anyone who expects traditional narrative in Steve McQueen’s five Small Axe films about the black experience in the London of the 1970s and 80s will be disappointed.

“Black people, since the beginning of time, have always made things cool. Jazz, rock ’n’ roll… pick anything from a cultural standpoint and we have always been the arbitrators of cool,” says sports journalist Jamele Hill. “And it was really no different with sneakers.”

Big orchestras to serve the late romantic masterpieces and contemporary blockbusters still aren’t the order of the Covid-era day, even in streamed events, at least not in the UK. The London Symphony Orchestra is so far unique in bigging up the strings as well as bringing on the full brass and percussion thanks to the unique nature of what was previously its rehearsal space and venue for chamber concerts, LSO St Luke’s.