True Stories: We Live in Public, More4

A troubling film that says as much about us as it does the dot-com pioneer, Josh Harris

With the last ever series of Big Brother dominating Channel Four’s schedules for the rest of the summer, the first TV screening of this Sundance Film Festival award-winner couldn’t have been better timed. Because the chillingly disconcerting “art project” that dot-com pioneer Josh Harris devised back in 1999 (just before Big Brother came on air for the first time) made the world’s most controversial reality TV show look like Kenneth Clarke’s Civilisation, by comparison.  American film director Ondi Timoner’s documentary is an unsettling look at Harris’s struggle to find himself which could be viewed as a cautionary tale for any parents who use their television or PC as a child minder.

Johnny Mercer: The Dream's on Me, BBC Four

Arena and Clint Eastwood's superb evocation of the multi-talented songwriter

Jazz enthusiast Clint Eastwood, who co-produced this film with the BBC's Arena, clearly harbours a particular regard for songwriter, singer, impresario and record company mogul Johnny Mercer. When Eastwood made his film of John Berendt's book Midnight in the Garden of Good and Evil, which was set in Mercer's home town of Savannah, Georgia and partly shot in Mercer House, built by Johnny's grandfather, the accompanying soundtrack was a newly recorded collection of some of Mercer's most celebrated songs.

Different Drummer: the Life of Kenneth MacMillan

Interview with Jann Parry, calm biographer of ballet's shock creator

The spy out in the cold, the alienated Heathcliff of ballet, rough-hewn, moody and a little frightening - this is an image that’s commonly paraded of the choreographer Kenneth MacMillan. His ballets stand up that image, staging barely watchable sexual urges (The Judas Tree, My Brother, My Sisters), accusing polite society as a force for evil (Mayerling, Las Hermanas), smashing the porcelain in ballet’s china cupboard.

theartsdesk Q&A: Tim Lawrence

THEARTSDESK Q&A: TIM LAWRENCE in the week Arthur Russell's epochal World Of Echo is re-released, revisit this interview with his biographer

Interview with the biographer of cult genre-traversing musician Arthur Russell

Tim Lawrence is an author and academic, whose musical studies have led him from the dance scene of the 1990s to researching New York's disco scene – his Love Saves the Day was the first and remains the definitive history of the music, history and politics of disco – and then to the singular figure of Arthur Russell.

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