When asked what I wanted for Christmas this year, my response was mostly that I just want to drink Baileys out of Lindt bunnies and dance in my socks in the kitchen. Y'know?
In December 1977, the music weekly Sounds included an article about the County Durham punk band Penetration. By Jon Savage, it was headlined The Future Is Female. The same four words would be used by the band for their promotional badges.
Flick through my 2022 Spotify Wrapped playlist and those who know me best won’t be surprised by what they find. Architects, the UK’s preeminent metal group who grapple with progressing their sound further on the classic symptoms of a broken spirit – check. Foals, the indie delights who continue to sweep all before them, and adorned new, summery vibes with latest album Life Is Yours. Check.
Some of what’s nourishing the debut album by Sweden’s Dina Ögon is evident. A Bossa Nova jazz-pop essence evokes Brazil’s Quarteto em Cy. There’s a trip-hop undertow. Vocal lines bring to mind Free Design. Less easy to pinpoint is a melodic sensibility which seems to be derived from local traditions; echoing the sort of fusion pioneered by Jan Johansson’s Jazz på svenska and Merit Hemmingson when she reframed folk music on the Svensk folkmusik på beat albums.
This is not a rehash of my Skinty Fia review, but smoke from the same grate.
One of popular music’s greatest songwriting talents released her final album back in January. The Light at the End of the Line was Janis Ian’s first album of all-new material in 15 years, and it was planned as a stage-setter for her swan-song tour, US dates scheduled through to the end of the year, European concerts to follow. Then Ian got hit by a particularly nasty form of laryngitis that meant she could no longer sing.
The Beatles loomed over everything else. It wasn’t inevitable, but the arrival of the revealing Revolver box set and Peter Jackson’s compelling Get Back film confirmed that there is more to say about what’s known, and also that there are new things to say about popular music’s most inspirational phenomenon of the 20th century.
Bolivian marching powder, sexual violence, fraud. As the actions of the present kakistocracy edged ever closer to that of a lost Brian De Palma film script, it was to music that we turned once again for beauty and the best of humanity.
It’s always hard to choose one album to spotlight come the annual Best Ofs, and 2022 has given us an extraordinary embarrassment of riches to choose from – the bountiful bastard…
January brought with it a small but perfectly formed under-the-radar gem in Bed Wetter’s A Life in the Day. A deeply personal piece, it saw producer Geoff Kirkwood removing his Man Power mask and letting us in to his world of gorgeous, atmospheric sound sculptures.
I am a sucker for Malian singers. I have been ever since I made a couple of films there at the end of the 1980s. According to ancient tradition, the jalis, and other singers have a mission: to open the hearts of those who hear them, and to fill them with healing and courage. Thirty years on, Rokia Koné keeps the flame going and touches me in the same way.