The excellent booklet essay by Michael Brooke that accompanies this Second Run release of Pavel Juráček’s second, and final feature (it’s presented in a fine 4K restoration) tells us much about the director’s importance for the Czech New Wave, that remarkable period of independ
Last month, this column pondered a vinyl-only R.E.M. reissue. Despite the mystifyingly high sales price of original pressings, reissuing a best-of mostly collecting easily available tracks seemed a tad unnecessary. Moreover, it lacked imagination. If vinyl is an ascendant format, why not do something interesting or say something new?
Al Reinert's For All Mankind isn't quite what it seems. In a famous 1962 speech, President Kennedy spoke of the knowledge to be gained and the new rights to be won on the moon to be "for all people", though the plaque left on the lunar surface by the crew of Apollo 11 states that the voyage was made "for all mankind". Reinert's 1989 film cleverly dubs "mankind" into Kennedy's speech in the film, not that you'd notice.
Treatise by Cornelius Cardew is the defining work of the graphic notation movement. The score, completed in 1967, is made up of 193 landscape pages, each with two empty musical staves running along the bottom, with an array of graphic designs above, often incorporating elements of musical notation, but rarely specifying pitches or rhythms.
According to their mother, Luda (played by Madeleine Worrall, pictured below), each of the three sisters (pictured top) in Napoli, Brooklyn, bears one of their father’s admirable traits. Tina (Mona Goodwin), the oldest, who left school early to earn money for the family in a factory job, has his strength. Vita (Georgia May Foote), who is smart but has been banished to a convent school for crossing her father, has his tongue.
As Anthony Joshua’s shock defeat by the unfancied Andy Ruiz Jr suggests, heavyweight boxers ain’t what they used to be.
When I first read One Night in Miami, I instantly felt a strong connection to the piece and its story.
Although Marty Wilde will forever be inextricably linked with the late 1950s British rock ‘n’ roll wave he rode, his career did not peter out as musical styles transformed. While he didn’t have the high-profile mutability of Cliff Richard or claim a niche like the moody Billy Fury, he was enviably chameleonic.
Debates about whether 1964’s Marnie presaged Alfred Hitchcock’s downslide as a force will run and run. It is however certain that it was the director’s last film scored by Bernard Herrmann, who had worked on 1963’s The Birds, 1960’s Psycho, 1959’s North by Northwest and, before that, a run of Hitchcock’s films back to 1955.
Anatole Litvak’s The Night of the Generals (1967), beautifully restored here to 4K, is a tortuous and at times entertaining mash-up of the July 1944 plot to kill Hitler and the murder of a prostitute in Nazi-occupied Warsaw a few years earlier.