The Indigo Girls, Facebook Live review - lightening the blues

★★★ THE INDIGO GIRLS, FACEBOOK LIFE Lightening the blues

Keeping it close to home

Like all other performers, the Indigo Girls were forced to make the “heart-breaking decision” to cancel their spring tour. And in that moment, “we knew we wanted to play a free livestream show,” Amy Ray and Emily Saliers said in a statement.  “People are feeling scared, isolated, uncertain, and unmoored.

Celtic Connections 2020, Glasgow review - Yorkston/Thorne/Khan and Roaming Roots Revue celebrate joy of collaboration

Two standout performances get to the heart of Glasgow's midwinter festival

While there’s usually something for everybody on the Celtic Connections festival programme, where Glasgow’s midwinter festival tends to shine is in its collaborations and special events.

Anaïs Mitchell, Bonny Light Horseman, Roundhouse review - heart-warming folk bliss

★★★★★ ANAIS MITCHELL, BONNY LIGHT HORSEMAN Heart-warming folk bliss

A magical voice, beautiful songs, profound authenticity

Anaïs Mitchell should be a star: she sings like a dream, oozes presence and charisma, and writes songs of classic simplicity, poetry and depth. Her other outstanding quality is a natural modesty and a delight in just being herself on stage, and sharing the joys of music-making with her fellow-musicians and the audience.

Gerde's Folk City at 60, The Iridium, New York City - a celebration of the legendary folk club

★★ GERDE'S FOLK CITY AT 60, THE IRIDIUM The Greenwich Village coffee house that drove the New York folk revival

Remembering Gerde's, the Greenwich Village coffee house that drove the New York folk revival

Fifty-nine years to the day, 24 January 1961, that a young college dropout named Robert Zimmerman clambered out of a car on the Manhattan end of the George Washington Bridge, having hitchhiked across the country to reinvent himself as Bob Dylan, the sixtieth anniversary of the club where his career was launched was celebrated.

Album: Squirrel Flower - I Was Born Swimming

★★★★ SQUIRREL FLOWER - I WAS BORN SWIMMING A mesmerising debut

Autobiography and poetry on mesmerising debut

The first album from the Boston-bred songwriter Squirrel Flower opens and closes with autobiographical songs. “I-80” opens with the artist - real name Ella O’Connor Williams - giving up on lyrics, poetry and, later, giving up on love, its rootless melody channelling the road west to Iowa where Williams went to college before building to a relentless crescendo.

Albums of the Year 2019: Liz Lawrence - Pity Party

In a year of big releases, this gem is worth hunting out

Picking the best album at the end of the year is always unfair on the early releases. Recency bias means the newer albums carry more excitement. Better Oblivion Community Center's self-titled debut would be a major contender if it had released in September as opposed to January. It feels like part of the furniture now, a testament to the songwriting of Phoebe Bridgers and Conor Oberst.

Albums of the Year 2019: Sharon Van Etten - Remind Me Tomorrow

A sound reminiscent of days gone by but with a shoegazy sway that keeps it relevant

2019 has been quite the year. Amongst other difficulties being a grown-up hurls at you on the reg, I lost my guiding light (may her adventures on the other side of this universe be everything and more). And the testing times that ensued sees me now, not only into the new decade but into a big fat birthday that ends with a "0".

The Lumineers, SSE Hydro, Glasgow review - a stomping but exhausting night

The Denver band were at ease before a large crowd, but offered a familiar sounding set

There was something fitting about the Lumineers entrance in Glasgow. As “Gimme Shelter” blared around the SSE Hydro, lights pulsating over the crowd, it was drummer Jeremiah Fraites who took the stage and started the opening beat of “Sleep On The Floor”, an array of phones quickly whipped out to act as a welcoming committee from the crowd. The rest of the band followed in due course, but this is a group for whom the drums are at the heart of their stomping songs, no matter what.

Greener Grass review - American suburbia goes haywire in surreal dark comedy

★★★★ GREENER GRASS American suburbia goes haywire in surreal dark comedy

Jocelyn DeBoer and Dawn Luebbe's first feature has an SNL vibe

The pink, turquoise and orange world of Greener Grass is a riot of derangement. Here is the suburban dream gone haywire, where, out of politeness, a woman gives her baby to her friend because she admires it. Every adult wears braces, hair bleeds when you get it cut and a boy turns into a golden retriever (his father is delighted – at last he’s willing to run for the ball).