Netflix’s hit show Drive to Survive has proved that F1 can grab ratings, but Villeneuve Pironi: Racing's Untold Tragedy (Sky Documentaries) is a more esoteric offering.
How much more is there left to be said about the excellence of Succession? It’s back for a final season, and devotees will pore over every detail, every conversational ploy from robust to downright crude, every chess move on this volatile board. As they should, because nothing comparable has appeared on television.
There’s no point in being upset with the writer Steven Knight for doing what he usually does; even so, many viewers will find what he has done with Charles Dickens’s Great Expectations far too Peaky for their tastes.
Endeavour first landed way back in 2012, and suddenly here we are, bidding it a final farewell after the end of its ninth series. Not everybody learned to love Shaun Evans as the pre-John Thaw Inspector Morse, but some of us may even have come to like the new boy better.
For fans of conspiracy theories, this three-part examination of the disappearance of Malaysian Airlines flight MH370 is irresistible, though the continuing anguish of friends and relatives of the 239 people aboard the flight makes for some painful viewing.
If you are hoping for some harmless fun at The Great British Bake Off Musical, probably with a few dodgy jokes about soggy bottoms mixed in, you won’t be disappointed. But what you might not expect is that the show will liberally ladle on the innuendo and is so filthy at times that it’s like being at an adult panto. The audience on opening night certainly seemed a primed one, aahing when a contestant was sent home, booing when one resorted to sabotage.
Based on the bestselling novel by Taylor Jenkins Reid, Daisy Jones & The Six is the rags-to-riches-to-wreckage story of the titular Seventies rock band, supposedly somewhat based on Fleetwood Mac. Their journey from their fashion-defying hometown of Pittsburgh to Los Angeles and thence the world follows a well-worn trail carved by countless aspiring rockers, and doesn’t do it quite interestingly enough to justify its 10-episode length.
Vive l’entente cordiale! “Despite Brexit” (as the BBC likes to say), Apple TV+ has successfully bridged the Channel to create this lurid Anglo-French thriller, in which Euro-skulduggery rubs shoulders with bribery, corruption and high treason.
As films and television series based in New York City tend to do, Fleishman Is in Trouble opens with an aerial shot of Manhattan – except, significantly, this sequence is presented upside down. To the celestial sound of tinkling arpeggios, the slim skyscrapers of the Upper East Side hang down from the sky into a blue cloudless ocean like futuristic stalactites, the camera moving gently through them before dipping, Psycho-style, through a window.
The backstage revelations about the politics and personalities that fuel Formula One have made Drive to Survive one of Netflix’s most reliable bestsellers, but on this fifth outing there’s a lurking sense that the novelty is wearing off.